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Esther Kahn (2002)
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Reviews Counted:8
Fresh:2
Rotten:6
Average Rating:4.2/10
Theatrical Release:Mar 1, 2002 Limited
Synopsis: Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a... Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a young girl raised among the poor Jewish tailors of London's East End. Her cramped and compromised youth has left her cold and distant, unable to express any emotions. But when she attends a popular theater production, Esther is thunderstruck by the deep feelings that the performance stirs within her and immediately sets out to become an actress. Her quick success brings Esther into the complex and convoluted world of the theater, where she encounters a helpful aging actor (Ian Holm) who, in teaching her how to act, teaches her how to live. Haygard, a perfidious playwright, becomes momentarily captivated by Esther's strange allure and odd blankness, and in addition to becoming her lover, he secures her a prestigious role in a production of Ibsen's HEDDA GABLER. Stunned and shocked when Haygard abandons her on the eve of the play's opening, Esther has a panic-filled and heart-wrenching epiphany, as twenty years worth of unlived life come tumbling down on her. Desplechin's difficult film about a difficult character carries mysterious and compelling emotional impact in its portrayal a woman who missed out on her life. [More]
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber, Laszlo Szabo, Emmanuelle Devos, Akbar Kurtha, Kika Markham, Anton Lesser
Director: Arnaud Desplechin
Director: Arnaud Desplechin
Screenwriter: Arnaud Desplechin, Emmanuel Bourdieu
Composer: Howard Shore
Studio: Empire Pictures
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Reviews for Esther Kahn
The narrator and the other characters try to convince us that acting transfigures Esther, but she's never seen speaking on stage; one feels cheated, and Esther seems to remain an unchanged dullard.
What makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony. But it's worth the concentration.
Ms. Phoenix is completely lacking in charm and charisma, and is unable to project either Esther’s initial anomie or her eventual awakening.
It's a lot to ask people to sit still for two hours and change watching such a character, especially when rendered in as flat and impassive a manner as Phoenix's.
The French director has turned out nearly 21/2 hours of unfocused, excruciatingly tedious cinema that, half an hour in, starts making water torture seem appealing.
The problem is that rather than dramatizing this premise, Mr. Desplechin is content to state it.
Confounding because it solemnly advances a daringly preposterous thesis. Acting cannot be acted.
The good stuff gets suffocated under the self-indulgent pace and needless length.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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