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Movies / On DVD / Esther Kahn
Esther Kahn

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Esther Kahn (2002)

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Reviews Counted:8

Fresh:2

Rotten:6

Average Rating:4.2/10

Rated: Not Rated

Runtime: 2 hrs 22 mins

Genre: Dramas

Theatrical Release:Mar 1, 2002 Limited

Synopsis: Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a... Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a young girl raised among the poor Jewish tailors of London's East End. Her cramped and compromised youth has left her cold and distant, unable to express any emotions. But when she attends a popular theater production, Esther is thunderstruck by the deep feelings that the performance stirs within her and immediately sets out to become an actress. Her quick success brings Esther into the complex and convoluted world of the theater, where she encounters a helpful aging actor (Ian Holm) who, in teaching her how to act, teaches her how to live. Haygard, a perfidious playwright, becomes momentarily captivated by Esther's strange allure and odd blankness, and in addition to becoming her lover, he secures her a prestigious role in a production of Ibsen's HEDDA GABLER. Stunned and shocked when Haygard abandons her on the eve of the play's opening, Esther has a panic-filled and heart-wrenching epiphany, as twenty years worth of unlived life come tumbling down on her. Desplechin's difficult film about a difficult character carries mysterious and compelling emotional impact in its portrayal a woman who missed out on her life. [More]

Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber

Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber, Laszlo Szabo, Emmanuelle Devos, Akbar Kurtha, Kika Markham, Anton Lesser

Director: Arnaud Desplechin

Director: Arnaud Desplechin
Screenwriter: Arnaud Desplechin, Emmanuel Bourdieu
Composer: Howard Shore
Studio: Empire Pictures

[See More Credits]

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Release:

Nov 19, 2002

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Reviews for Esther Kahn

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1 - 9 (sorted by date)
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N/R

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Full Review Source: Variety | comment Comment
10/18/08
Todd McCarthy
Todd McCarthy
Variety
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N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
07/21/05
Houston Chronicle
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The narrator and the other characters try to convince us that acting transfigures Esther, but she's never seen speaking on stage; one feels cheated, and Esther seems to remain an unchanged dullard.

Full Review Source: Dallas Morning News | comment Comment
05/30/02
Rasmi Simhan
Rasmi Simhan
Dallas Morning News
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What makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony. But it's worth the concentration.

Full Review Source: Los Angeles Times | comment Comment
04/12/02
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Ms. Phoenix is completely lacking in charm and charisma, and is unable to project either Esther’s initial anomie or her eventual awakening.

Full Review Source: New York Observer | comment Comment
03/13/02
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

It's a lot to ask people to sit still for two hours and change watching such a character, especially when rendered in as flat and impassive a manner as Phoenix's.

Full Review Source: Newsday | comment Comment
03/01/02
Gene Seymour
Gene Seymour
Newsday
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The French director has turned out nearly 21/2 hours of unfocused, excruciatingly tedious cinema that, half an hour in, starts making water torture seem appealing.

Full Review Source: New York Post | comment Comment
03/01/02
Megan Turner
Megan Turner
New York Post
Top Critic Icon Top Critic

The problem is that rather than dramatizing this premise, Mr. Desplechin is content to state it.

Full Review Source: New York Times | comment Comment
02/28/02
A.O. Scott
A.O. Scott
New York Times
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Confounding because it solemnly advances a daringly preposterous thesis. Acting cannot be acted.

Full Review Source: Village Voice | comment Comment
02/26/02
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic

The good stuff gets suffocated under the self-indulgent pace and needless length.

Full Review Source: Hollywood Reporter | comment Comment
05/12/01
Hollywood Reporter
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