En general no me gusta decir que una película es "necesaria" (un facilismo rimbombante en el que suelen caer muchos críticos), pero en este caso debo hacer una excepción.
The Lemon Tree (2008)
Tomatometer
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Reviews Counted:63
Fresh:58
Rotten:5
Average Rating:7/10
Consensus: A positive and personal Israeli film that offers an understated and thought-provoking vision of the West Bank troubles.
Theatrical Release:Apr 17, 2009 Limited
Box Office: $467,072
Synopsis:
Salma Zidane (Hiam Abbass), a 45 years old widow from a small Palestinian village in the West bank, finds herself at war with the Israeli Minister of Defense (Doron Tavory) who built his house on...
Salma Zidane (Hiam Abbass), a 45 years old widow from a small Palestinian village in the West bank, finds herself at war with the Israeli Minister of Defense (Doron Tavory) who built his house on the green line border between Israel and the occupied Territories on the edge of Salma’s lemon grove. soon enough the Israeli security forces claim that the grove is a threat to the safety of the minister and issue orders to uproot the lemon trees. salma, whose son is in America and daughters live far away from her, decides to fight for her trees.
She embarks on a legal journey all the way up to the Israeli Supreme Court. Salma is joined by a young Palestinian lawyer, Ziad Daud (Ali Suliman), who fights against a wall of clever military lawyers who have the backing of the government. Ziad, 34, divorced from a Russian woman he met while attending law school in Moscow, falls in love with Salma. Their love affair is a complicated and dangerous one as Palestinian widows are not free to do whatever they like, certainly not fall in love, certainly not with younger men…
Salma realizes that she has inner strengths that allow her to continue her lonely quest, despite the pressures put on her from both sides – Israeli and Palestinian. Salma is fighting for trees that were planted by her father over 50 years ago, trees that have absorbed blood, sweat and tears like the whole region. She will not let them be cut down just to satisfy absurd security requirements.
On the other side of the grove, Mira Navon (Rona Lipaz-Michael), the Minister’s wife, is also undergoing a major change in her life. After fulfilling her duties for so many years, and despite the new house and her husband’s new and powerful job, she feels unhappy. The clock is ticking away and there must be more to life than her share so far. The events around her invisible new neighbor gradually raise her awareness of her husband’s approach to the whole affair, and she finds herself defying what is expected of her. A bond is created between the two women, each of them discovering a new life ahead of them, each in her own territory, across the deep border between them. --© IFC Films
Starring: Hiam Abbass, Ali Suliman, Rona Lipaz-Michael, Doron Tavory
Starring: Hiam Abbass, Ali Suliman, Rona Lipaz-Michael, Doron Tavory, Tarik Batal, Amos Lavie, Amnon Wolf, Smadar Yaaron, Ayelet Robinson, Danny Leshman
Director: Eran Riklis
Director: Eran Riklis
Screenwriter: Suha Arraf, Eran Riklis
Producer: Bettina Brokemper, Antoine de Clermont-Tonnerre, Michael Eckelt, Eran Riklis
Composer: Habib Shehadeh Hanna
Studio: IFC Films
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Reviews for The Lemon Tree
Abbass's starkly moving performance and the film's closing shots make this metaphor for the unsolvable unforgettable.
Eran Riklis, who directed and co-wrote with Suha Arraf (they also collaborated on The Syrian Bride), has made a compelling movie that takes its strength from the ground-level picture it gives of the human aspect of the problems in that part of the world.
The vivid cinematography gives the viewer glimpses of scenic locations throughout Israel. This is a quiet and somber journey that allows lots of time for thought and reflection on the current state of affairs in the Middle East.
While the entire cast is very good, Abbass must carry most of the film, with little dialogue. Her subtly expressive face is a script unto itself, conveying everything from formal, traditional modesty to angry defiance.
Has a distinct point of view on the Israeli-Palestinian impasse, but expresses it with considerable finesse as well as emotional power.
The two Israelis who take her side are female, which underscores the film's message: a little less machismo might save a lot more than trees.
Writer-director Eran Riklis handles these questions subtly and thoughtfully, tying the little struggle over the trees to larger issues without turning "Lemon Tree" into a parable.
It's worth seeing Lemon Tree simply for the performance of Hiam Abbass, who is magnificent in her dignity and determination.
The Lemon Tree has a big plot hole that's overcome by both Abbass' efforts and the story's tone: dramatic but frustrated and slyly deadpan at heart.
Being dry is not necessarily a bad thing for a movie, at least when that dryness includes humor. But Lemon Tree is too dour and too humorless for its own good.
The pungence of Lemon Tree is in the surreal moments that capture the pervasive unease in Gaza, and in the quiet strength of Abbass' performance.
This is a film about a problem, not a solution, and it's effectively upsetting.
The story, based on a real incident, may be simplistic, but that's the nature of fables. The direction is sure-handed, and the acting is good, particularly by the very appealing Abbass.
It's not fantastic, but if you like Abbass in The Visitor, she's even better here.
Lemon Tree offers the bittersweet satisfaction of understanding a thorny situation a bit better. In a uniformly strong cast, Hiam Abbass is outstanding as the proud, lovely Salma.
While the script crackles along, the visuals are powerfully uninteresting.
A sober-hearted take on the righteous blowback from whittled-away souls, and a movie that invariably rights itself with each return to the beautifully steely gaze of Abbass.
The film, though, belongs to the two women. Lipaz-Michael gives Mira a degree of empathy that's important to the film, while Abbass -- is a striking and formidable presence as Salma.
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