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The Event (2003)
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Reviews Counted:17
Fresh:5
Rotten:12
Average Rating:4.8/10
Rated: R [See Full Rating] for sexual content, language and some drug use
Runtime: 1 hr 52 mins
Genre: Dramas
Theatrical Release:Oct 3, 2003 Limited
Synopsis: In the mid- to late 1980s, films such as AN EARLY FROST, PARTING GLANCES, and LONGTIME COMPANION began examining the growing AIDS crisis. Thom Fitzgerald's moving THE EVENT shows that AIDS is still... In the mid- to late 1980s, films such as AN EARLY FROST, PARTING GLANCES, and LONGTIME COMPANION began examining the growing AIDS crisis. Thom Fitzgerald's moving THE EVENT shows that AIDS is still a major epidemic that is misunderstood by much of the public. The movie opens with the death of Matt Shapiro (Don McKellar), who was suffering with the disease. An assistant DA, Nick DeVivo (Parker Posey), believes that his death may have been the result of assisted suicide, which is against the law, so she questions Matt's friends and family to get to the truth--without considering the emotional impact her investigation might have on the people involved. With THE EVENT, Fitzgerald has made more than just an AIDS film; he has delved into the very nature of death and choice. Olympia Dukakis is outstanding as Lila, Matt's mother, who first has to come to terms with her son's illness and then his death. Sarah Polley and Joanna P. Adler are excellent as Matt's sisters, who have very different feelings about his demise. The film was shot on location in Chelsea in New York City and includes an emotional scene on the Staten Island Ferry, with the Statue of Liberty in the background, as Lila tosses Matt's ashes into the ocean. Although the film is set in recent years, it has a 1980s look to it, harkening back to the days of the first AIDS-related films when the disease just started to become recognized by the society at large. [More]
Starring: Olympia Dukakis, Parker Posey, Sarah Polley, Don McKellar
Starring: Olympia Dukakis, Parker Posey, Sarah Polley, Don McKellar, Jane Leeves, Brent Carver, Cynthia Preston, Richard Latessa, Joanna P. Adler
Director: Thom Fitzgerald
Director: Thom Fitzgerald
Screenwriter: Thom Fitzgerald, Steven Hillyer, Tim Marback
Producer: Bryan Hofbauer
Composer: Christopher Beck
Studio: ThinkFilm
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Reviews for The Event
To make a movie in 2003, one that centers around AIDS but ignores the epidemic's current culprit, Africa, and toys melodramatically with scenarios steeped in the filmmakers' selfish nostalgia without any real point, is to ask us not to think at all.
The performances of Olympia Dukakis as Matt's mother and Sarah Polley as his sister elevate The Event from melodramatic claptrap to sensitive drama.
A feminine hygiene commercial is by far the best thing here. Is that last item a curious thing to say about a film with such a weighty agenda? Exactly.
Despite its impeccable acting and subtle backdrop of the Sept. 11, 2001, attacks, The Event lets its message overwhelm its emotion.
Aggressively drab and granular, the movie feels like a late-'80s AIDS passion play given an ill-fitting post-Sept. 11 makeover.
Maybe part of the reason The Event works so well is that Fitzgerald doesn't have compassion only for people dying of AIDS; his compassion rings out for anyone who's dying, period, as well as for the families and friends who care for them.
A sensitive and uplifting look at the reality of living while dying from AIDS.
Purports to be a life- affirming celebration of a dying AIDS victim's last days, but soporific direction and awkward line readings paradoxically give it the air of a funeral dirge.
The movie feels like a nineties' artifact, less the AIDS-crisis wake-up call it purports to be than a melodramatic free ride.
It feels weirdly dated and disconnected, as it attempts to graft the events of recent years onto an '80s culture that has gone with the wind.
Shot on crummy DV and told via flashbacks, the film largely plays out like a Reagan-era Citizen Kane.
Performances don't benefit from the picture's uncertain tone, which wavers between quasi-hardboiled 'black' comedy and guilt-tripping sentimentality.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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