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Everything is Illuminated (2005)
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Reviews Counted:29
Fresh:16
Rotten:13
Average Rating:6.2/10
Consensus: Although it excises much from its famously dense source material, Everything is Illuminated is a quirky, ambitious debut film from Liev Schreiber.
Rated: PG-13 [See Full Rating] for disturbing images/violence, sexual content and language
Runtime: 1 hr 46 mins
Genre: Comedies
Theatrical Release:Sep 16, 2005 Limited
Box Office: $1,644,300
Synopsis: Acclaimed actor Liev Schrieber (DAYTRIPPERS, THE MANCHURIAN CANDIDATE) makes his directorial debut in this adaptation of Jonathan Safran Foer's bestselling novel about a young Jewish-American... Acclaimed actor Liev Schrieber (DAYTRIPPERS, THE MANCHURIAN CANDIDATE) makes his directorial debut in this adaptation of Jonathan Safran Foer's bestselling novel about a young Jewish-American writer of the same name. Mixing equal parts black comedy and poignant drama, the film follows Jonathan (Elijah Wood) as he travels to the Ukraine to solve a family secret. There he meets his barely legitimate tour guides: Alex (Eugene Hutz, member of the folk-punk band Gogol Bordello), a cosmopolitan playboy obsessed with Michael Jackson and other American icons; Alex's grandfather (Boris Leskin), a man worn down by life who seems to be losing his grip on reality; and Sammy Davis, Jr. Jr, the "seeing-eye bitch" dog who comes along for the ride. As Jonathan closes in on his goal--to find the story behind the woman who saved his grandfather during the Holocaust--it becomes clear that Alex's grandfather has a dark secret of his own that needs to be, as the film suggests, illuminated. EVERYTHING IS ILLUMINATED lives up to the quirkiness of its source material, and is similar to films like BEING JOHN MALKOVICH or LOST IN TRANSLATION. Filmed on location in Prague, the film features breathtaking landscapes, including a memorable scene in a field of sunflowers. Also notable is the film's soundtrack, which features songs by Gogol Bordello, as well as an outstanding ethnic score by Paul Cantelon. Quirky, funny, sweet, and sad, Schreiber's excellent adaptation provides both closure and hope for survivors of the Holocaust. [More]
Starring: Elijah Wood, Eugene Hutz, Boris Leskin, Laryssa Lauret
Starring: Elijah Wood, Eugene Hutz, Boris Leskin, Laryssa Lauret, Liev Schreiber
Director: Liev Schreiber
Director: Liev Schreiber
Producer: Marc Turtletaub
Studio: Warner Independent
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Release:
Mar 21, 2006
Reviews for Everything is Illuminated
It's profound in the way that life is profound in hindsight, its view of the past both fixed in history and mutable in the telling. And it's exquisitely tender.
This isn't a frivolous film or a dumb one. Mostly, it feels like a mistake -- the wrong director matched with the wrong material.
[Schreiber] has managed something of a feat ... in spinning a single charming story out of Foer's yarn ball of a novel, which spanned 200 years, multiple stories and various protagonists.
A movie that wraps a story of mass murder in a package of whimsy, and prefers to focus on our commonality rather than any collective complicity in the crimes of history.
Yes, we laugh; yes, we cry; the sun rises and sets. It's all quite enlightening.
Schreiber's streamlined version may be only a sliver of the whole, but it's a thoroughly entertaining and very rewarding piece of a very tasty pie.
If Jonathan were a character instead of a symbol of American Immigrants Disconnected From Their History, Schreiber's movie might have worked.
It sounds weird, and it is. It's also very funny, not to mention mesmerizing and, finally, heartbreaking.
The ultra-serious Jonathan and the laid-back Alex are an ideal odd couple. By switching focus between them, Schreiber can quickly steer the movie to different emotional ground.
Schreiber's images -- a graveyard of old war machines, a field of sunflowers -- are impressive and help convey the wonderful idea behind Everything Is Illuminated: that no matter who we are or where we live, we are all connected.
Fans of Jonathan Safran Foer may rightly consider this an act of taxidermy. Everything Is Illuminated hasn't been adapted so much as gutted, stuffed, and mounted.
As a whimsical and at times poignant look at family secrets and family ties, it's effective, it’s moving.
Jonathan is about the most passive protagonist you're likely to see on the screen for a while.
Schreiber's film version of Everything Is Illuminated achieves the impossible -- it's even more annoying than Jonathan Safran Foer's gratingly precocious novel.
Falls far short of illuminating Foer's complicated book. But it does provide the sort of low-key, road-trip ramblings we haven't seen since the'70s heyday of Hal Ashby.
Wood, whose mostly mute turn is defined by his black suit and glasses, can only stare in stupefaction at Schreiber's jittery mix of broad laughs and sentiment. Audiences will share the feeling.
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