Set in the near-future, eXistenZ depicts a society in which game designers are worshipped as superstars and players can organically enter inside the games. At the center of the story is Allegra Geller whose latest games system eXistenZ taps so deeply into its users fears and desires that it blurs the boundaries between reality and escapism. When fanatics attempt to assassinate Allegra, she is forced to flee. Her sole ally is Ted Pikul (Law), a novice security guard who is sworn to protect her. Persuading Ted into playing the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. … More
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Critic Reviews for eXistenZ
I just don't happen to like puzzle films of any kind, but I must credit Mr. Cronenberg with more intellectual depth than most of his fellow pessimistic movie pranksters.
Jennifer Jason Leigh is an ideal Cronenberg heroine, projecting a personality that is smart, wary and capable of obsessiveness.
[It's] meant to have a whiff of the philosophical, even if its intellectual ambition seems mostly limited to spelling affectations.
The Matrix is mainstream sci-fi, but eXistenZ, written by Cronenberg, is much stranger; it creates a world where organic and inorganic are not separate states, but kind of chummy.
It's a disturbing, disorienting sensation -- puzzles within puzzles, games within games -- that continues right up to the last shot.
Experienced gamers should find much to savor through the films unique assessments on the nature of reality.
[Cronenberg is] a laughing existentialist here, a philosopher who sees the comedy in disorientation.
Brave moviegoers and fans of writer-director David Cronenberg will find funny dialogue and grotesquely engrossing scenes in his latest sci-fi horror tale.
Fans may find certain similarities between eXistenZ and Videodrome bothersome, but both films are the real thing.
An evolution for the filmmaker that will reach maturity in the quiet, devastatingly economical eloquence of Spider.
a genuinely jolting yarn... Cronenberg eventually succeeds in making the audience feel as disoriented as Allegra...
Cronenberg's commentary here, though grotesque, belies a certain intelligence.
The premise is solid, the script is clever and well-thought-out, and the movie is consistently engaging...
Bringing a light touch to the grave issues of mortality, illusion, identity, and technology that have obsessed him throughout his career, Cronenberg turns them into a diverting, disorienting, ultimately inconsequential hand of solitaire.
A s-fi thriller that challenges us to ponder the propensity we all have for surrendering ourselves to cheap thrills as a substitute for the boredom of reality.
The only visual jolts come from Cronenberg's trademark images of grotesque amphibians and oozing intestines, and these creepy-crawly moments are merely repulsive, not provocative.
In the hands of anyone else, the notion of computer game terrorists would be ludicrous, and even Cronenberg fails to explain their motives, using the film instead to indulge in surreal exercises of dream logic.
...too clever for its own good. Once you catch on to the gimmick...it isn't half as entertaining.
eXistenZ feels fresh, even if the impulses behind it weren't wholly original.
Audience Reviews for eXistenZ
My impression was that eXistenZ was a kinda flat movie version of a good original screenplay. Not great - but there is definitely some good stuff in here as Cronenberg messes with with ideas of reality, role playing and film making..More
An intriguing sci-fi thriller built on an efficient atmosphere of mystery and which takes us further and further inside this strange universe that we can't help but want to know more about - even if after a while it doesn't take us much to see where it is all going.More
Released right around the time as that famous mind bender The Matrix, this is David Cronenberg making something of a spiritual sequel to his earlier masterpiece Videodrome.
Focusing on video games and virtual reality, this is one of those thriller films that really makes you question what's real and what isn't, constantly blurring the line. I think Total Recall and even Inception did this sort of thing better, but DC gives it the good college try here, and should be commended for it.
The plot (I'll try to make it as simple as possible) follows a video game designer who, after an assassination attempt, escapes with her assistant in the world of her latest creation, the titular eXistenZ. What makes this fit into the world of Cronenberg is the trademark mixing of technology with flesh, namely the use of bio ports and umbilical like things for the gaming system, and col gun made out of bones and muscles that uses teeth for ammo.
It's all very bizarre, and gross, and creative, like the best of the director's output, but I think this one could have spent more time in the oven. It feels very rough, somewhat under cooked, and filled with good ideas, but suffers overall due to needing to be more fleshed out.
I was initially going to critique the acting, but thankfully the film itself addresses this, and I thought it was rather clever. It also is cool that the film has a reason for being really disorienting and confusing, even if the end result isn't completely new or original. It at least scores points for building on the Videodrome concept using other forms of technology, and showing the effect of using this technology even more so.
There's a good cast her, and they seem to be having a lot of fun. The effects are quite good too, and really deliver the goods when it comes to being gross and uncomfortable.
All in all, this is not for everyone, and, while it doesn't fully come together, I do have to give it some points for trying, and it at least kept me engaged and questioning things (in a good way).
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