It is nothing less than a witty, sophisticated comedy of manners, African style.
Faat-Kiné (2001)
Tomatometer
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Reviews Counted:8
Fresh:6
Rotten:2
Average Rating:7.4/10
Rated: Not Rated
Genre: Dramas
Theatrical Release:Mar 30, 2001 Limited
Synopsis: In FAAT-KINE, African filmmaker Ousmane Sembene, widely considered one of the world's finest directors, focuses on the life of a modern woman, Faat-Kiné, living in Dakar, Senegal. Well to do and on... In FAAT-KINE, African filmmaker Ousmane Sembene, widely considered one of the world's finest directors, focuses on the life of a modern woman, Faat-Kiné, living in Dakar, Senegal. Well to do and on the go, this stylish lady drives around in her fancy car, stopping to check on business at the gas station that she operates, then catching up with friends for lunch. As her character is developed, it becomes clear that her life is hardly carefree, and the film shifts its gaze to issues of women's rights, tackling topics such as polygamy, impotence, gender clashes, and postcolonial life. [More]
Director: Ousmane Sembene
Director: Ousmane Sembene
Studio: New Yorker Films
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Reviews for Faat-Kiné
A marvelous film, offering the psychological insight of Rohmer into its familial story, while contextualising it with a wise, vibrant African optimism all Sembčne's own.
An ebullient and resolutely feminist look at Africa's post-colonial future from Senegal's Ousmane Sembene.
Faat Kiné registers some nice music and glimpses of life in modern Senegal, but not much else.
Despite the film's shortcomings, Sembene's generosity and humanism are inspiring.
Mr. Sembčne hasn't missed a step, and we're lucky to have him back on his path.
Faat Kiné and Sembene's brilliance is an ability to teach without proselytizing: he allows characters to point fingers without wagging his at them in return
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 83% 83% | The Princess and the Frog | 12/11 |
| 89% 89% | A Single Man | 12/11 |
| 53% 53% | The Lovely Bones | 12/11 |
| 89% 89% | Invictus | 12/11 |
| | Avatar | 12/18 |
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