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Facing Windows

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Facing Windows (2003)

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Reviews Counted:26

Fresh:18

Rotten:8

Average Rating:6.2/10

Rated: R [See Full Rating] language and some sexuality

Runtime: 1 hr 47 mins

Genre: Foreign Films

Theatrical Release:Jun 18, 2004 Limited

Box Office: $373,955

Synopsis: FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH... FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH BATH and LE FATE IGNORANTI earned him a large degree of cult status and notoriety. He breaks into slightly more mainstream material with this drama that centers around Giovanna, a young housewife who at 29 has found herself stuck in an unhappy marriage and a job she despises. Her marriage to Filippo (Filippo Nigro), a respectable working-class auto mechanic who has been forced to make do with pumping gas for a living, has crumbled into one long argument, and she has been forced to set aside her dreams of being a pastry chef to keep accounts for a chicken packaging factory. Giovanna's hopes for a better life crystallize in her growing obsession with the handsome bachelor whose window faces hers, and whose bedroom activities she takes to spying on; unbeknownst to her, however, Lorenzo is looking back, watching Giovanna and entertaining fantasies of his own. When Filippo takes in a confused old man he meets in the streets (longtime veteran of world cinema Massimo Girotti), Giovanna is a reluctant caretaker until the truth about his past, as well as his talent as a baker, begins to emerge. The infirm old man becomes the catalyst for the two voyeurs to meet as they piece together the mystery of the octogenarian's true identity suggested by his concentration camp tattoo, his constant repetition of the name "Simone," and his frequent confusing of past with present. Ozpetek has woven together a tale of tragedy and love out of lush, beautiful photography and stunning performances delivered by all his actors; the wisdom that is couched in Girotti's subtle, restrained performance is truly remarkable. In the vein of Hitcock's REAR WINDOW, this complex film works on many levels and is layered with insightful touches throughout, which keeps the somewhat soap-operatic storyline from becoming excessive. FACING WINDOWS swept the David di Donatello awards, the Italian equivalent of the Oscars, and won "Best Film at the 2004 Seattle International Film Festival. [More]

Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova

Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova

Director: Ferzan Özpetek

Director: Ferzan Özpetek
Studio: Sony Pictures Classics

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Release:

Nov 2, 2004

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Reviews for Facing Windows

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1 - 20 (sorted by date)
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There are two stories in Facing Windows, one of them profound and deeply moving, the other pure soap opera.

Full Review Source: Arizona Republic | comment Comment
08/12/04
Richard Nilsen
Richard Nilsen
Arizona Republic
Top Critic Icon Top Critic

Ozpetek ends up with a lot of balls in the air, and he has to do some scrambling to keep up. He pulls it off, but it feels like he's making this harder than it needs to be.

Full Review Source: Minneapolis Star Tribune | comment Comment
07/23/04
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune
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As the relationship progresses between Giovanna and Davide, Facing Windows becomes refined with deeper truths.

Full Review Source: Denver Post | comment Comment
07/23/04
Lisa Kennedy
Lisa Kennedy
Denver Post
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Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
07/23/04
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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Thanks to fine performances and a grounded script, the pieces of this intriguing little puzzle all manage to fit.

Full Review Source: Philadelphia Inquirer | comment Comment
07/23/04
Steven Rea
Steven Rea
Philadelphia Inquirer
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The film's puzzlelike structure is a help; Simone's secret may not be hard to guess, but watching him work it out with the aid of Giovanna and Lorenzo consistently holds our interest.

Full Review Source: Atlanta Journal-Constitution | comment Comment
07/22/04
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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It's a corny and utterly implausible story in many ways -- but, like The Notebook, it's an implausible romance that connects with us because of the lush style and the power of the performances.

Full Review Source: Chicago Tribune | comment Comment
07/22/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
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Ozpetek is an enriching director. More than a presentation of its contents, every scene seems also to be a distillation of the matters that led to it.

Full Review Source: New Republic | comment Comment
07/21/04
Stanley Kauffmann
Stanley Kauffmann
New Republic
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This glossy veneer of artificiality, handled masterfully in the films of Douglas Sirk, Todd Haynes and Pedro Almodovar, doesn't feel classic here so much as cheesy.

Full Review Source: Washington Post | comment Comment
07/16/04
Desson Thomson
Desson Thomson
Washington Post
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It's Italian, it's actually quite mesmerizing in the manner of '50s psychological melodrama held together by incredible coincidences, everyone in it is splendidly attractive, and when you get out, you will be thinking: 'I have to get a pie soon.'

Full Review Source: Washington Post | comment Comment
07/16/04
Stephen Hunter
Stephen Hunter
Washington Post
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It's ultimately as soft and hollow as fresh-baked Italian bread.

Full Review Source: Toronto Star | comment Comment
07/09/04
Geoff Pevere
Geoff Pevere
Toronto Star
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Thanks to a soulful performance by Giovanna Mezzogiorno, it's also eminently watchable, even as we resist its machinations.

Full Review Source: Houston Chronicle | comment Comment
07/09/04
Bruce Westbrook
Bruce Westbrook
Houston Chronicle
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Fluidly directed, superbly acted, boasting a story that wraps itself snugly around big emotional issues but stops just short of sentimentality.

Full Review Source: Globe and Mail | comment Comment
07/09/04
Rick Groen
Rick Groen
Globe and Mail
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A quiet, lovely, thoughtful Italian movie.

Full Review Source: Dallas Morning News | comment Comment
07/08/04
Charles Ealy
Charles Ealy
Dallas Morning News
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Though the film's multiple strands strain to blend, they do give the protags' ill-fated romance a level of deeper, more involving meaning.

Full Review Source: Variety | comment Comment
06/29/04
Deborah Young
Deborah Young
Variety
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This too-sentimental drama does feature a sterling performance by Giovanna Mezzogiorno as a love-struck housewife dissatisfied with her lot, thus providing the only watchable element of an otherwise disappointing movie.

Full Review Source: Hollywood Reporter | comment Comment
06/29/04
Richard James Havis
Richard James Havis
Hollywood Reporter
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Poignant and carefully observed.

Full Review Source: San Francisco Chronicle | comment Comment
06/25/04
Carla Meyer
Carla Meyer
San Francisco Chronicle
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Beautiful to look at and acted with full and tempestuous conviction, it still seems to be taking place in an apartment far across the way.

Full Review Source: Boston Globe | comment Comment
06/25/04
Ty Burr
Ty Burr
Boston Globe
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In a strange way, Facing Windows harks back to the glorious dawn of Italian Neorealism 60 years ago. And yet it is luminously contemporary in its rediscovery of a long-buried past, both personal and historical.

Full Review Source: New York Observer | comment Comment
06/24/04
Andrew Sarris
Andrew Sarris
New York Observer
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It's Girotti, a now-deceased veteran of classic films by such great directors as Roberto Rosselini and Luchino Visconti, whose polished restraint and leathery dignity lends authoritative heft to the movie's self-help bromides.

Full Review Source: Newsday | comment Comment
06/18/04
Gene Seymour
Gene Seymour
Newsday
Top Critic Icon Top Critic
 
 
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