A sprawling, ornately constructed entertainment.
Fanny and Alexander (1982)
Tomatometer
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Reviews Counted:11
Fresh:11
Rotten:0
Average Rating:8.4/10
Runtime: 5 hrs 12 mins
Genre: Foreign Films
Synopsis: Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL,... Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL, which was also made for Swedish television and subsequently released theatrically abroad.) FANNY AND ALEXANDER is the story of two children belonging to a wealthy, extensive theatrical family in provincial Sweden in the early years of the 20th century--10-year-old Alexander (Bertil Guve) and his younger sister, Fanny (Pernilla Alwin). When their father dies unexpectedly during a performance and their mother decides to remarry, the children are forced to relocate to the austere (and possibly haunted) home of their stern and rather coldhearted stepfather, Bishop Vergerus (Jan Malmsjö). A means of escape is eventually provided by Isak Jacobi (Erland Josephson), a longtime friend of the Ekdahl family's who seems to possess magical powers. In this somewhat autobiographical movie--which was filmed in the director's hometown of Uppsala--the gifted, precocious Alexander is a stand-in for Bergman himself, who had a problematic relationship with his own father, a strict clergyman. At once festive, spooky, and bawdy--and uncharacteristically life-affirming--FANNY AND ALEXANDER is one of Bergman's most universally appealing and accessible works. [More]
Starring: Pernilla Allwin, Bertil Guve
Starring: Pernilla Allwin, Bertil Guve
Director: Ingmar Bergman
Director: Ingmar Bergman
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Reviews for Fanny and Alexander
This premiere of the original cut, running at 312 minutes, leaves room for more than a story of one life.
Sumptuous, haunting, and unusually tender... a nakedly psychological 'in' to [Bergman's] earliest artistic impulses; nothing else in his oeuvre addresses so directly his childhood escapes into fantasy as the by-product of a harsh Lutheran upbringing.
A sumptuously produced period piece that is also a rich tapestry of childhood memoirs and moods, fear and fancy, employing all the manners and means of the best of cinematic theatrical from high and low comedy to darkest tragedy.
A fitting introduction to the very personal cinema of this master craftsman, not only because it exhibits Bergman's signature themes and stylistic devices, but also because it is one of his most life-affirming films.
[Bergman] glides beyond the mere telling of his story into a kind of hypnotic series of events that have the clarity and fascination of dreams. Rarely have I felt so strongly during a movie that my mind had been shifted into a different kind of reality.
It is very much, and in the best way, an old man's movie, the work of an artist resigned to life's mystery, full of wonder at the passage of time, full of forgiveness for past wrongs, and full of understanding.
Bergman's 1982 career summation and the kind of rich, timeless, cautionless magnum opus we can only receive, like benedictions, from artists who've paid their generation's dues of sweat, risk, tears, and honesty.
A big, dark, beautiful, generous family chronicle, which touches on many of the themes from earlier films while introducing something that, in Bergman, might pass for serenity.
Latest News for Fanny and Alexander
July 30, 2007:
Through Bergman's Past, Brightly
With the passing of Ingmar Bergman Monday, the world of cinema lost one of its most unique and important voices. Thus, we at Rotten Tomatoes decided to pick our favorite Bergman... More...
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
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