Far From Heaven (2002)
Runtime: 1 hr 48 mins
Theatrical Release: Nov 8, 2002 Limited
Box Office: $15,776,481
Synopsis: The model marriage of Frank (Dennis Quaid) and Cathy Whitaker (Julianne Moore) in 1950s Hartford is depicted in television ads, and a magazine features photographs of Cathy as a model homemaker and citizen. Yet, behind the curtains of their dream home, Cathy and Frank hide scandalous... The model marriage of Frank (Dennis Quaid) and Cathy Whitaker (Julianne Moore) in 1950s Hartford is depicted in television ads, and a magazine features photographs of Cathy as a model homemaker and citizen. Yet, behind the curtains of their dream home, Cathy and Frank hide scandalous secrets. Frank has been masquerading his homosexuality and is seeing a doctor for a heterosexual conversion. Meanwhile, Cathy finds solace in her gardener, Raymond (Dennis Haysbert), a black man about whom Cathy must conceal her growing feelings, since simply being seen with him is cause for scandal. Filmmaker Douglas Sirk employed the trappings of the melodrama to satirize and criticize narrow minds in the 1950s status quo with films such as ALL THAT HEAVEN ALLOWS. Todd Haynes (SAFE) uses Sirk's highly stylized universe to critique society half a century later in FAR FROM HEAVEN. The film uses thematic elements of Sirk's such as isolating characters through windows and vivid, symbolic colors and flowers. It also applies Sirkian plot devices such as gossiping neighbors and demonizing television. Attacking prejudice, Haynes' methods are particularly effective as he uses an antiquated style of filmmaking to shed light on societal problems that are pervasive even in the 21st Century. [More]
Genre: Dramas
Starring: Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson, James Rebhorn
Screenwriter: Todd Haynes
Producer: Jody Patton, Christine Vachon
Composer: Elmer Bernstein
Buy It On DVD
Reviews
An obsessive triumph of design and tribute, beautifully acted ... but this stuff was somehow more fun in the '50s.
Exultant in both its artifice and its cruel honesty, it's a movie Sirk would make today - and, as such, it's quite brilliant.
The film confronts the era’s intolerance with regard to gender and race relations, but it should be noted that Haynes films without a trace of irony. The actors offer similarly genuine performances.
The best reason to see Far from Heaven is to watch Julianne Moore give one of her finest performances.
An ignorant, false, bigoted, boring, pretentious film that could have been made by Eisenstein in the Kremlin under Joseph Stalin in 1938.
It's a rare thing when a movie makes you react emotionally to the repressive taboos of a past decade while...provoking you to reconsider the attitudes of present society.
A recriação do estilo de Douglas Sirk é interessante, mas soa como mero artifício de Haynes. Já a subtrama envolvendo Quaid (e a bela atuação deste) engrandecem o filme.
An arid, faux-antique melodrama done in the style of 1950s director Douglas Sirk....Lacks a heart, or at least one with a measurable pulse.
It would have been easy for Haynes to turn the film into a campy spoof of repressed 1950s culture, and it's to his great credit that he doesn't take the easy way out.
Not only one of the finest American films of last year but one that repudiates all the attempts by conservative America to turn back the clock to a desperate and unhappy past.
Lejos del paraíso es al mismo tiempo una fiesta para los ojos y oídos y un movilizador cuadro de personajes enfrentados a sus propios deseos, miedos y prejuicios.
Next time, here’s hoping Todd Haynes remembers the difference between a feather and a sledgehammer.
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