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Fat Girl (2001)
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Reviews Counted:25
Fresh:22
Rotten:3
Average Rating:7.4/10
Consensus: The controversial Fat Girl is an unflinchingly harsh but powerful look at female adolescence.
Theatrical Release:Oct 10, 2001 Limited
Synopsis: Take two very naive, very young French girls--one a thin 15-year-old, Elena (Roxane Mesquida), and the other her fat 12-year-old sister, Anaïs (Anaïs Reboux). Picture them as lambs. Add a... Take two very naive, very young French girls--one a thin 15-year-old, Elena (Roxane Mesquida), and the other her fat 12-year-old sister, Anaïs (Anaïs Reboux). Picture them as lambs. Add a manipulative older Italian boy, Fernando (Libero De Rienzo). Picture him as the wolf. Witness from close range as the one of the lambs (the thin one) is devoured by the wolf as the other lamb (the fat one) watches in pain but does nothing. The result is FAT GIRL, Catherine Breillat's intense, perplexing, suffocating, grim, terrifying, sickening, dark, plotting depiction of teenage loss of innocence. "Sinister" is what the Italian boy calls what he does to the French girl. "Proof of love" is how the thin girl justifies it. The fat girl, Anaïs, responds by sitting on the beach in her new dress and letting the surf wash up on her as she softly sings sad songs about boredom and death. Later, staring into the mirror, alone together, eye to eye, cheek to cheek, unblinking, the fat and thin sisters calmly share their most hateful feelings for each other. But nothing prepares the viewer for the final blow of the film, which sneaks up with a ferocity that pales the wolf-lamb scenario. Not a pretty picture, Breillat's shockingly realistic work features a fruity color scheme and an optimistic soundtrack that perfects the film's intended confusion of mood and message. [More]
Starring: Anaïs Reboux, Roxane Mesquida, Libero de Rienzo, Arsinee Khanjian
Starring: Anaïs Reboux, Roxane Mesquida, Libero de Rienzo, Arsinee Khanjian, Romain Goupil, Laura Betti, Albert Goldberg, Mark Barriere
Director: Catherine Breillat
Director: Catherine Breillat
Screenwriter: Catherine Breillat
Producer: Jean Francois Lepetit
Studio: Cowboy Pictures
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Reviews for Fat Girl
Bold but unrelenting in its depiction of both physical and emotional aggression, Fat Girl will be bracing for those open to its challenges and brutal for those who aren't.
It's compelling, honest, poignant, somewhat sad and, at the end, very disturbing -- in short, quite a good movie.
The characters come across with an unnerving sense of psychological realism and act as a flesh-and-blood foil to the allegorical story.
Right up to its jarring final sequence, Fat Girl takes that cafe scene as the basis for a tragicomedy that plays out in delicately telling terms.
[W]hen I saw this movie I was kind of mad at the way things had this arbitrary development ... That's what happens in real life. Things happen at random like that and I thought a lot about this movie after I saw it -- days afterwards, a week afterwards.
Exposes the less sexy things that lust can awaken, like viciousness, deceit and amoral longing.
Fat Girl is uncompromising and unforgiving, but ultimately more self-destructive than any of its characters.
Represents one of the most honest and unvarnished looks at the harsh side of being a teenager since Todd Solondz's Welcome to the Dollhouse.
Examines the world of budding female sexuality with a psychological precision that cuts to the core.
Few movies have so effectively conveyed the alienation of adolescence, and the way children can be driven almost mad by their separation from life and love.
There is a jolting surprise in discovering that this film has free will, and can end as it wants, and that its director can make her point, however brutally.
Whether in anger or in awe, or some combination thereof, it will knock you for a loop.
For French filmmaker Catherine Breillat, relations between men and women are as dangerous as a minefield, and she observes them with a rigorous detachment tempered by a reticent compassion and flashes of spiky humor.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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