This indie exercise is so stultifying you might want to check your own pulse.
Fido (2007)
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Reviews Counted:16
Fresh:11
Rotten:5
Average Rating:6.2/10
Consensus: Making the most of its thin premise, Fido is an occasionally touching satire that provides big laughs and enough blood and guts to please gorehounds.
Theatrical Release:Jun 15, 2007 Limited
Synopsis: Lying somewhere between PLEASANTVILLE and NIGHT OF THE LIVING DEAD, FIDO is a zombie buddy pic/love story set in a picture-perfect, technicolored 1950s suburb. With the world still recovering from... Lying somewhere between PLEASANTVILLE and NIGHT OF THE LIVING DEAD, FIDO is a zombie buddy pic/love story set in a picture-perfect, technicolored 1950s suburb. With the world still recovering from a zombie war that broke out several decades prior, the town of Willard has found a way to keep the peace. The world beyond the gates may be overrun by zombies, but fortunately a huge corporation called ZomCom has managed to domesticate the undead, turning them into faithful servants of the human race. Director Andrew Currie's movie follows a young boy named Timmy (K'Sun Ray) as he develops a friendship with the zombie (Billy Connolly) his mother purchases to impress the new neighbors, Mr. and Mrs. Bottoms, when she finds out Mr. Bottoms (Henry Czerny) just happens to be the head of ZomCom itself. Naming his new friend Fido and initially treating him like a poorly-behaved dog, Timmy soon confirms what he always secretly suspected – that zombies can have feelings too. No one is more surprised by this than Timmy's mom, Helen (Carrie-Anne Moss), who, as an escape from of her rude, zombie-phobic husband (Dylan Baker), develops some very human feelings for the household zombie help. The best part about Fido are the zombies themselves, with Billy Connolly giving a great performance as Fido. Even though he's never given an opportunity to speak, Connolly convincingly comes across as kind and life-loving despite his zombie-ness. In creating the look of the 1950s, the film boasts impressively bright colors and neat furniture design. This, combined with elaborate costumes, provides a surreal backdrop for a fantastical plot. Thankfully Currie never gets too sentimental with his script, and maintains a satirical tone throughout, throwing in a severed limb whenever things risk getting to weepy. [More]
Starring: Carrie-Anne Moss, Billy Connolly, Tim Blake Nelson, Dylan Baker
Starring: Carrie-Anne Moss, Billy Connolly, Tim Blake Nelson, Dylan Baker, Henry Czerny
Director: Andrew Currie
Director: Andrew Currie
Screenwriter: Andrew Currie, Robert Chomiak, Dennis Heaton
Producer: Blake Corbet, Mary Anne Waterhouse
Studio: Lions Gate Films
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Reviews for Fido
The movie's breezy, blood-flecked entertainment, with no aim other than to give you a giggle and a shriek.
Fido is a one-joke movie with some good performances and a few good gross-out moments. But it’s not dark enough or sick enough to be a cult favorite.
In the ticklishly amusing satire Fido, the undead stagger along like stunned toddlers.
Fido does offer a good number of laughs, along with a healthy serving of gore to satisfy horror fans.
The main joke here is that Connolly's Fido, though he never speaks, seems more alive than the rigidly conformist '50s males around him. It's not quite enough to keep Fido more than a slight comedy.
A crafty mixture of George Romero and Douglas Sirk, Fido is a boy and his zombie movie that may have an unusually pastoral color scheme but tears into its many satirical targets with the vigor of a freshly reborn flesh-eater.
Fido, which feels original despite borrowing from a half-dozen genres, shouldn't be taken too seriously.
Director Andrew Currie is better at laughs than scares, but he can’t sustain either as Fido runs out of steam in the final stretch.
You think they're dead, these zombie-film parodies, but, one after another, they keep lumbering back.
You say, Enough zombies already? No, please, make room for Fido. A shotgun wedding of George Romero and SCTV, it's madly funny -- a treat for moviegoers who don't mind gnawed-off limbs with their high jinks.
For a one-joke movie, Fido does a fine job exploring every possible permutation of that joke.
Brightly packaged and steadily amusing, even if the script never really develops anything interesting from its high-concept premise.
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