The Fifth Element (1997)

Utterly loopy plot is what makes this French/American space adventure story so intoxicating. Apparently, writer/director Luc Besson began the script for The Fifth Element when he was only 16 years old. The naïve perspective benefits the material; the refreshingly straightforward conflict between good and evil is explored in a most satisfying way. Besson was influenced by the French comic books he read as a teenager and the production features all of the attributes of their stylish color and composition. Any frame of film could easily be frozen as a panel, completed with dialogue bubbles and the tableau would make a fine publication. The production is ridiculously over the top. The incredibly detailed sets are visually stunning. From the futuristic 3-D highways of Brooklyn New York to the backdrop of planet Earth during the opera concert on Planet Fhloston, every scene is a feast for the eyes. But even that clichéd phrase simply does not do this display justice.For me, The Fifth Element embodies the phrase "cinematically dazzling" more than any other picture. Production design, fashion, music, an international cast, all of it integrated to form a shining model of a sensory celebration. There have certainly been flicks that have been equally stylish, but none to surpass it. French director Luc Besson has been a highly successful force in movie making. One of the most "Hollywood" of all French filmmakers, he has perhaps grown somewhat more mainstream and predictable as time has passed. The Fifth Element remains his transcendent combination of artistry and commerce. Besson's delightful rumination on good vs. evil creates excitement. It's uplifting in it's naïveté, the triumph of love. Naturally these positives wouldn't matter if we didn't have individuals we actually cared about. There's a palpable joie de vivre here, rarely this tangible in big budget science fiction. That feeling is underscored throughout the film concluding with the final shot.