The Final Cut (2004)



Critic Consensus: No consensus yet.

Movie Info

First-time filmmaker Omar Naim wrote and directed the sci-fi drama The Final Cut. Set in the near future, the story concerns a device implanted in the body that is capable of recording a person's entire life. Once it is extracted from the body after death, the footage can be played back on a screen in the form of "rememories." Robin Williams plays Alan Hakman, an editor who cuts together the footage to make pleasant movies for funerals. Tormented by his job and his own memories, Alan also has a … More

Rating: PG-13 (for mature thematic material, some violence, sexuality and language)
Genre: Drama, Mystery & Suspense, Science Fiction & Fantasy
Directed By: ,
Written By: Omar Naim
In Theaters:
On DVD: Mar 22, 2005
Box Office: $0.5M
Lions Gate Films - Official Site


as Alan Hakman

as Fletcher

as Thelma

as Jennifer Bannister

as Isabel Bannister

as Young Alan (9)

as Youg Louis (9)

as Legz, The Tattoo Ar...

as Charles Bannister

as Jason Monroe

as Caroline Monroe

as Pregnant Woman On Bu...

as Tattooed Man

as Eliza Monroe

as Jason Monroe (6)

as Battered Woman

as Security Guard

as Uncle Murray

as Guest #1

as Guest #2

as Adult Louis

as Mrs. Hakman

as Zoe Tech Representat...

as Balding Man

as Professor

as Sobbing Woman

as Delivery Nurse

as Patient Parent

as Squabbling Wife

as Squabbling Husband

as Pregnant Woman's Hus...

as Aging Man

as Business Man

as Toasting Guy

as Pretty Woman

as Friend #2

as Voice Of Danny Monro...

as Swing Girl

as Screeching Car Drive...

as Screeching Car Passe...

as Daniel Monroe
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News & Interviews for The Final Cut

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Critic Reviews for The Final Cut

All Critics (91) | Top Critics (35)

It's not quite as smart as it thinks it is.

Full Review… | October 20, 2004
Newark Star-Ledger
Top Critic

It's nice to see Mira Sorvino who has sort of wobbled about since winning the Oscar about ten years ago she is very good in this film.

Full Review… | October 19, 2004
Ebert & Roeper
Top Critic

Williams has extraordinary success in channeling this other person. How strange that the same actor can play some of the most uninhibited of all characters, and some of the most morose.

Full Review… | October 15, 2004
Chicago Sun-Times
Top Critic

This debut from writer-director Omar Naim is cut-and-dried sci-fi thriller business.

Full Review… | October 15, 2004
Washington Post
Top Critic

The lack of imagination, given the initial premise, is astounding.

Full Review… | October 15, 2004
Seattle Times
Top Critic

This first feature from writer-director Omar Naim is unusually accomplished.

Full Review… | October 15, 2004
Houston Chronicle
Top Critic

Audience Reviews for The Final Cut

Technology is developed that allows recording of one's entire life. Why? So that once yer dead your relatives can make a memorial film clip of your life. While not the expected use of such capabilities it's the set-up for Williams to play a man whose job it is to shape those recorded lifetimes into Disney-fied music videos (cue Phillip Glass-like score). Problems herein include the predictable privacy concerns, a dead tech wizard's possibly incriminating and thus exploitable past, as well as Williams own personally troubling past. It's not bad insofar as a interesting sci-fi idea explored goes, but somehow fails to connect. Williams, Sorvino and Caviezel all perform well for the newbie director/writer Naim who only lacks focus IMO., delivering a tale nicely reminiscent of 1950's pulp sci-fi.

Kevin M. Williams

Super Reviewer

God, I hate Robin Williams! One of the world's most overrated actors is terribly pouty and rigid in THE FINAL CUT. He's not alone, though. Most of the top players in this film are awful as well.

Between the script's huge deficiencies, the many plot holes, the underdeveloped characters and Fletcher's (Jim Caviezel) fake beard, the film fails miserably, even more so considering its alluring concept. The score by Bryan Tyler is incredible (and that's about it).

Interesting concept with a somewhat anticlimactic ending. Robin Williams is understated and slightly creepy as the sin-eating cutter, and I always love Jim Caviezel.

Alice Shen

Super Reviewer

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