Average Rating: 5.3/10
Reviews Counted: 77
Fresh: 29 | Rotten: 48
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Average Rating: 4.7/10
Critic Reviews: 27
Fresh: 8 | Rotten: 19
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First-time filmmaker Omar Naim wrote and directed the sci-fi drama The Final Cut. Set in the near future, the story concerns a device implanted in the body that is capable of recording a person's entire life. Once it is extracted from the body after death, the footage can be played back on a screen in the form of "rememories." Robin Williams plays Alan Hakman, an editor who cuts together the footage to make pleasant movies for funerals. Tormented by his job and his own memories, Alan also has a
PG-13, 1 hr. 44 min.
Oct 15, 2004 Wide
Mar 22, 2005
$0.5M
Lions Gate Films
All Critics (89) | Top Critics (28) | Fresh (30) | Rotten (50) | DVD (15)
It's not quite as smart as it thinks it is.
It's nice to see Mira Sorvino who has sort of wobbled about since winning the Oscar about ten years ago she is very good in this film.
Williams has extraordinary success in channeling this other person. How strange that the same actor can play some of the most uninhibited of all characters, and some of the most morose.
This debut from writer-director Omar Naim is cut-and-dried sci-fi thriller business.
This first feature from writer-director Omar Naim is unusually accomplished.
This premise sounds like the sort of a screwy, non-idea that a young film student might dream up while editing a documentary. And according to the press notes, that's just what happened.
Most significantly, the film underscores the fact that the meaning of our lives ultimately comes from somewhere outside of ourselves.
Robin Williams edita con estoica convicción, los pecados de los hombres.
A solid thriller through most of its 105-minute run. Sadly, the film comes to a sudden, and dissatisfying, halt.
O melhor aspecto do filme reside na maneira inteligente com que discute as implicaįões sociais e morais de sua premissa - a marca registrada de toda boa ficįão científica.
If the ending is predictable and even anti-climactic, chalk it up to a first effort. The rest of the film, brilliantly shot by Tak Fujimoto, is worth a look-see.
The message of The Final Cut is clear: memories can't be trusted, and neither can Canadians.
God, I hate Robin Williams! One of the world's most overrated actors is terribly pouty and rigid in THE FINAL CUT. He's not alone, though. Most of the top players in this film are awful as well. Between the script's huge deficiencies, the many plot holes, the underdeveloped characters and Fletcher's (Jim Caviezel) fake
September 1, 2010Super Reviewer
Interesting concept with a somewhat anticlimactic ending. Robin Williams is understated and slightly creepy as the sin-eating cutter, and I always love Jim Caviezel.
June 1, 2010Super Reviewer
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