A searing anti-war film.
Fires on the Plain (1959)
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Reviews Counted:13
Fresh:13
Rotten:0
Average Rating:7.8/10
Runtime: 1 hr 45 mins
Genre: Foreign Films
Synopsis: Director Kon Ichikawa's adaptation of Shohei Ooka's gruesome antiwar novel NOBI is a disturbingly bleak vision of war as the descent of men to the level of beasts. Set on the Philippine island of... Director Kon Ichikawa's adaptation of Shohei Ooka's gruesome antiwar novel NOBI is a disturbingly bleak vision of war as the descent of men to the level of beasts. Set on the Philippine island of Leyte in 1945 as the fragmentary remains of the Japanese army engage in a swift retreat from advancing Allied forces, the film stars Eiji Funakoshi as Tamura, a tubercular Japanese soldier struggling to survive. Denied a billet by his squad or a bed by the hospital because of his lack of a food ration, he wanders the island plain, like many of his comrades, foraging desperately for food. At an empty village where wild dogs roam the streets, he opens a church door that disgorges a river of corpses. After killing one of the wild dogs that roams the streets feasting on the carnage, the soldier meets a couple that has returned to the area to recover a cache of salt, a precious commodity. When the woman begins screaming insanely at him, Tamura panics and shoots her, continuing to fire wildly at her fleeing husband while seizing the sackful of salt. Tamura then heads into a wooded area where even greater horror awaits. Funakoshi gives a hauntingly brilliant performance in a film whose relentless depiction of the effects of war is only occasionally relieved by Ichikawa's characteristic black humor. [More]
Starring: Eiji Funakoshi, Osamu Takizawa, Mantaro Ushio, Yoshihiro Hamaguchi
Starring: Eiji Funakoshi, Osamu Takizawa, Mantaro Ushio, Yoshihiro Hamaguchi
Director: Kon Ichikawa
Director: Kon Ichikawa
Screenwriter: Natto Wada
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Reviews for Fires on the Plain
This downbeat but fervent pic goes much further than the accepted war masterpieces in detailing humanity in crisis, and the spark left in one man. Production one of the most searing comments on war yet made.
Kon Ichikawa's Fires on the Plain is another searing anti-war exercise that makes its point simply by showing the suffering and degradation of Japanese soldiers abandoned and left to their own devices in the Philippines as World War II winds down.
Packs a powerful antiwar message. As with Eastwood's Iwo Jima, it dispels the myth that every Japanese soldier had the suicidal desire to die for his country.
... a grim and gruesome and at times macabre autopsy of its (selectively Japanese) victims.
The scabrous fury of Fires on the Plain feels closer to the heart of the notoriously hard-to-pin-down Japanese director.
The performance of Eiji Funakoshi as the straggler cannot help but make you feel a terrible sense of the human waste and pathos represented in the ruin of this poor man.
Magnificently shot in widescreen black and white, this is a truly harrowing work.
The world that director Ichikawa brings to the screen (based on the 1951 novel by Shohei Ooka) is difficult to bear--a world of brutality, pain, death, destruction, and cannibalism -- in short, a world of war.
No other film on the horrors of war has gone anywhere near as far as Kon Ichikawa's 1959 Japanese feature.
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