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Four Rooms Reviews

Page 1 of 3

An utterly lackluster production that most involved would be wise to keep out of their portfolios. The only director to come out of this mess looking good is Rodriguez.

Full Review Source: Patheos

April 19, 2014
Rob Gonsalves

Begins with two awful segments, which you'll want to fast-forward past to get to the third and fourth segments.

Full Review Source: | Original Score: 2/5

February 13, 2008

TV Guide's Movie Guide

A ghastly train wreck of a movie, littered with the corpses of promising careers.

Full Review Source: TV Guide's Movie Guide | Original Score: 1.5/4

March 13, 2007
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

The results are mainly awful, and even Roth got saddled with a mannered part that he can't comfortably play.

Full Review Source: Chicago Reader

March 13, 2007
Emanuel Levy
Top Critic IconTop Critic

Four of the hottest indie directors--Anders, Rockwell, Tarantino, and Rodrigues--miss a unique opportunity to display their idiosyncratic talents resulting in a tedious anthology in which 2 segments are inept, one barely decent, and one OK (guess whose)

Full Review Source: Variety | Original Score: C-

December 28, 2006
Pablo Villaca
Cinema em Cena

O episódio dirigido por Taratino, que funciona como uma grande preparação para uma excelente tirada final, é memorável. Pena que temos que assistir a uma hora de besteiras para chegar até ele.

| Original Score: 2/5

May 30, 2006

Time Out
Top Critic IconTop Critic

They should have called this One Room and released it as a Rodriguez short.

Full Review Source: Time Out

January 26, 2006
Scott Weinberg

The final tale is a real treat; too bad you have to wade through such awfulness just to get there.

| Original Score: 2/5

April 6, 2005
Ken Hanke
Mountain Xpress (Asheville, NC)

Worth it for the Rodriguez' episode, but otherwise nothing much.

| Original Score: 3/5

October 20, 2004
Janet Maslin
New York Times
Top Critic IconTop Critic

The less said about this career-denting fiasco, the better.

Full Review Source: New York Times | Original Score: 1/5

May 20, 2003
Dragan Antulov

Even Tim Roth, an otherwise dependable actor, disappoints with overacting.

Full Review | Original Score: 3/10

April 2, 2003
James Rocchi

We all have fun goofing around with our friends -- it's just that when you're four hot-hot-hot directors, you can goof around with your friends and get Miramax to release it, with predictably unimpressive results.

Full Review Source: Netflix | Original Score: 3/5

November 7, 2002
Kevin N. Laforest
Montreal Film Journal

The first two rooms are indeed pure crap, but the second half of the film, while not as good as the directors' separate films, makes for a funny enough comedy anyway.

Full Review Source: Montreal Film Journal | Original Score: 2/4

September 10, 2002
Shlomo Schwartzberg
Boxoffice Magazine

As a whole, Four Rooms is only diverting, and pretty mindless, but at its best it's a lot of fun.

Full Review Source: Boxoffice Magazine | Original Score: 3/5

June 5, 2002
Leslie Rigoulot
Film Scouts

Four Rooms never lives up to the hype and should discourage the directors from working together again.

Full Review Source: Film Scouts

April 17, 2002
Jack Mathews
Los Angeles Times
Top Critic IconTop Critic

Sounds better than it is.

Full Review Source: Los Angeles Times | Original Score: 1.5/5

February 13, 2001
James Berardinelli
Top Critic IconTop Critic

Four Rooms has to be one of 1995's major disappointments.

Full Review Source: ReelViews | Original Score: 2/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

The four segments are widely different in quality. On the useful scale of the Michelin guides, one is worth a trip, another is worth a detour, and the other two are a colossal waste of bandwidth.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

January 1, 2000
Hal Hinson
Washington Post
Top Critic IconTop Critic

Four Rooms asserts itself as a goof so laboriously and aggressively that you almost feel pinned back in your seat.

Full Review Source: Washington Post

January 1, 2000
Desson Thomson
Washington Post
Top Critic IconTop Critic

The segments are uniformly weak.

Full Review Source: Washington Post

January 1, 2000
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