Moviemakers who exploit the suffering and death of children to ratchet up the dramatic stakes belong in the innermost circle of hell, but Freedomland -- clumsy and overwrought as it is -- earns the right to its harrowing trajectory.
Freedomland (2005)
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Reviews Counted:35
Fresh:12
Rotten:23
Average Rating:4.7/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Rated: R [See Full Rating] for language and some violent content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 17, 2006 Wide
Box Office: $12,260,586
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
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Reviews for Freedomland
What begins as a familiar kind of media-circus melodrama ends up being something much more complex and tangled.
A sometimes heavy-handed urban drama punctuated by some devastatingly effective scenes.
The performances all around are lousy -- histrionic and turgid, a most lethal combination.
Freedomland is, at best, a noble failure, which leaves the charred aftertaste of a burned opportunity.
The thing that makes Freedomland riveting is the way in which its tale of human tragedy unfolds.
What saves Freedomland are the individual scenes and the interplay of people.
Freedomland, the movie, doesn't flow at all. Joe Roth, who as a director makes an excellent producer, tries hard and you can see the effort throughout.
Freedomland is the kind of dispiriting February botch that makes you wonder if mainstream Hollywood would be better off abandoning serious subjects to the world of specialized film.
The film is dark and claustrophobic, and so confined in its location as to seem more like an adaptation of a play than a novel.
It tries hard and means well. And I couldn't hardly wait for it to end. Freedomland falls short as entertainment.
Situations that should have great emotional impact drag on into embarrassing shrillness; moments that are supposed to be heavy become leaden.
Like too many recent movies, Freedomland doesn't know how or when to end, but it has some emotional impact, and it's not shy about dealing with race in volatile ways.
Freedomland entertains with smarts, reminding us that the resolution of one mystery doesn't necessarily snuff out the fuse it ignited.
The complication in Freedomland arises out of Brenda's hysteria, which is so extreme that we doubt her story even before we've bought into it, and from the movie's dogged, booby-trapped demonstration of the sins of racism.
First-rate actors bail out second-rate directors all the time, and Freedomland serves as the latest example.
Freedomland, an overblown urban crime drama that should be a lot better than it is.
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