Average Rating: 6.3/10
Reviews Counted: 20
Fresh: 15 | Rotten: 5
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Average Rating: N/A
Critic Reviews: 3
Fresh: 1 | Rotten: 2
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Average Rating: 3.6/5
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The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get
Sep 17, 1976 Wide
Feb 17, 2004
All Critics (21) | Top Critics (4) | Fresh (17) | Rotten (5) | DVD (8)
It recreates the awful noise of ignorance that can still be heard.
The tragedy implied by this character tells us what we need to know about the blacklist's effect on people's lives; the rest of the movie adds almost nothing else.
Ritt's direction is all sweaty close-ups and mismatched shots.
As directed by Martin Ritt and played by Woody Allen, this is a well intentioned but oversimplified tale, which is mostly useful as an historical reminder of a shameful chapter in Hollywood's blacklisting era
A pretty sluggish movie.
Although made by those who were punished by being blacklisted during that period, the film disappoints by being so politically mild.
Any reminder of the tribulations undergone by the blacklistees serves a useful and eye-opening purpose, but good intentions and a sense of martyrdom don't by themselves fill the glass.
Columbia TriStar Home Video's DVD delivers The Front in both full-frame and its original 1.85:1 (anamorphic). The 'film-like' print is clean and well defined, and the transfer is flawless.
An empty monument to the senility of American liberalism.
The Front may not be all you need to know about the 1950's blacklist tragedy, but it's certainly one of the finest films ever made on the subject.
Forget Bill Murray and Jim Carrey. Zero Mostel's brutally moving performance in The Front shows you what a real "clown who cried" performance is made of.
Bernstein smartly suggests how capitalism actually benefited from the oppression of suspected communists.
Proves that no one can escape the long and intrusive arm of politics and evade involvement
It could have been a fierce sideswipe, but ends up a gentle swat.
The Front is a worthwhile but flat film that combines a Woody Allen comic persona with an earnest desire to educate modern audiences (this was 76, it really feels like distant history now) with the Mcarthy Era witchhunts as they affected the enterainment world.Martin Ritt, himself having been blacklisted, assembled a
December 5, 2011Super Reviewer
Not that great but the last line makes the movie well worth seeing.
November 9, 2006Super Reviewer
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