Opening

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Fruitvale Station (2013)

tomatometer

94

Average Rating: 8.3/10
Reviews Counted: 140
Fresh: 132 | Rotten: 8

Passionate and powerfully acted, Fruitvale Station serves as a celebration of life, a condemnation of death, and a triumph for star Michael B. Jordan.

93

Average Rating: 8.5/10
Critic Reviews: 43
Fresh: 40 | Rotten: 3

Passionate and powerfully acted, Fruitvale Station serves as a celebration of life, a condemnation of death, and a triumph for star Michael B. Jordan.

audience

91

liked it
Average Rating: 4.3/5
User Ratings: 22,114

My Rating

Movie Info

Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler's FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), whose

R,

Drama

Ryan Coogler

$16.0M

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Cast

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All Critics (140) | Top Critics (43) | Fresh (132) | Rotten (8)

It's hard not to watch Fruitvale Station with a coiled dread... Yet, Coogler's greatest achievement may be in reminding us that Grant was a work in progress with people who loved him in spite of his flaws and because of his hopes.

July 26, 2013 Full Review Source: Denver Post
Denver Post
Top Critic IconTop Critic

We feel the death on the platform so acutely not because it's a stupid act of randomness, but hardly untypical racist violence, but because we've come to love this man.

July 26, 2013 Full Review Source: Globe and Mail
Globe and Mail
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Michael B. Jordan (The Wire and Friday Night Lights) plays Oscar with the heart and compelling charm required to make us feel close to him.

July 26, 2013 Full Review Source: Toronto Star
Toronto Star
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It's a story of one young man's tragedy, a story that resonates with so many other tragedies. Oscar Grant wasn't some mere symbol; this film makes him flesh and, unfortunately, blood.

July 26, 2013 Full Review Source: Detroit News
Detroit News
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An eloquent memorial for a man who barely experienced life, and a haunting reminder of how quickly it can be lost.

July 25, 2013 Full Review Source: Seattle Times
Seattle Times
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Some of this narrative feels cliched, but Coogler and his actors make it work by leaning toward understatement.

July 25, 2013 Full Review Source: Newsday
Newsday
Top Critic IconTop Critic

Assured directorial debut of the 26-year-old Ryan Coogler.

September 25, 2013 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

It's an unflinching, 360-degree character portrait.

September 22, 2013 Full Review Source: Us Weekly
Us Weekly

A good first film but not quite deserving of the hype. The best parts have nothing to do with Oscar Grant's murder but the quotidian tale of survival by a young man with the best of intentions.

August 26, 2013 Full Review Source: rec.arts.movies.reviews
rec.arts.movies.reviews

does something more radical ... humanizes the protagonist

August 24, 2013 Full Review Source: Old School Reviews

Stunning, timely look at the killing of an unarmed man

August 21, 2013 Full Review Source: Movie Habit
Movie Habit

...takes tragedies that have inflamed a nation - from Fruitvale to Sanford, Fla. - and brings them back down to human scale.

August 11, 2013 Full Review Source: LarsenOnFilm
LarsenOnFilm

There are scenes that were certainly fabricated for the movie, but the emotional truth behind them feels real.

August 9, 2013 Full Review Source: Scene-Stealers.com
Scene-Stealers.com

An utterly moving and rich slice-of-life fable.

August 7, 2013 Full Review Source: Antagony & Ecstasy
Antagony & Ecstasy

Yet, despite being aware of the outcome, the movie is, in its own profane and streetwise manner, a warmhearted and soulful story of a young man's journey toward self-discovery and determination.

August 6, 2013 Full Review Source: Journal and Courier (Lafayette, IN)
Journal and Courier (Lafayette, IN)

An impressive launch for the film's young writer-director and a signal that the movie's leading man will be a major presence in American film.

August 2, 2013 Full Review Source: Advocate (Baton Rouge, LA)
Advocate (Baton Rouge, LA)

The performance by Michael B. Jordan is authentic and convincing, and helps us stay engaged in a film that wants to be mundane until its explosive finale.


August 2, 2013 Full Review Source: Atlantic City Weekly
Atlantic City Weekly

In the wake of the Trayvon Martin verdict, this compassionate film reclaims the humanity of victims transformed into political symbols and provides context for those who think the media and not Zimmerman's bullet 'injected race' into the Martin killing.

August 1, 2013 Full Review Source: Commercial Appeal (Memphis, TN)
Commercial Appeal (Memphis, TN)

One of the year's best films.

August 1, 2013 Full Review Source: Reno News and Review
Reno News and Review

This dramatic story is told in a fair and balanced way, supplemented with excellent acting.

July 31, 2013 Full Review Source: jackiekcooper.com
jackiekcooper.com

A powerful acknowledgement of existence

July 30, 2013 Full Review Source: The Popcorn Junkie
The Popcorn Junkie

It's funny how the bloated, overly lengthy studio blockbusters have far less impact than 90 minutes of a relatively brief, CGI-free 'little' movie such as 'Fruitvale Station.'

July 29, 2013 Full Review Source: Quad City Times (Davenport, IA)
Quad City Times (Davenport, IA)

The slow first hour is more than compensated for by the half hour climax that leaves one in tears.

July 29, 2013 Full Review Source: Tolucan Times
Tolucan Times

As Grant, Michael B. Jordan's stunning good looks and immaculately restrained acting affects even those who don't want to be manipulated-who want to watch this story with unfogged eyes.

July 28, 2013 Full Review Source: MetroActive
MetroActive

Without emotion-tweaking music or too much fictional streamlining and highlighting, he captures a sense of the random and pointless horror of a young man shot in the back while laying on his stomach

July 27, 2013 Full Review Source: Film Racket
Film Racket

...writer-director Ryan Coogler and his actors do such a good job the film is consistently compelling despite its predestined finale.

July 26, 2013 Full Review Source: indieWIRE
indieWIRE

Audience Reviews for Fruitvale Station

A prime example of how to capture a real event in the right way. Never overly sentimental, written and directed by a man with a natural gift for filmmaking and featuring a number of the best performances of 2013, ''Fruitvale Station'' is a riveting, compelling and astounding portrait of a recent tragedy.
January 26, 2013
Liam Gadd

Super Reviewer

The last day-in-the-life of Oscar Grant III, a young black man who was accosted for fighting on the BART and subsequently shot by a cop in what may or may not have been a racially-charged accident. The film is structured around texts, phone calls, and face-to-face interactions between Oscar and his family, friends, and foes that reveal his criminal past and his struggles now to be a decent husband and father. Whether the framing device is factually accurate with data gleaned from Oscar's actual phone records on that New Year's Eve day, the narrative is both realistic and moving, and it builds a claustrophobic tension leading up to the tragedy that we already know occurred.

Michael B. Jordan is, by turns, youthful and grave - quick with his street patois bravado and quietly stunned with his last waking breaths. Octavia Spencer gives another spectacular performance as the face of tough yet fierce motherly love. Her reaction in the penitentiary's visiting room after Oscar insults her is remarkably restrained; her hurt is evident but she knows that it's no weapon to throw back at her wayward son.

The film is pretty even and "important enough" until the end when the emotional manipulation hits the fan. The shooting is already shown as a prologue, so the foreshadowing of taking the BART that leads to Oscar's imminent demise and Wanda's teary speech blaming herself for suggesting mass transit over drunk drivers on NYE is excessive. After the shooting, the trigger-happy cop looks shocked and disgusted by the metaphorical blood on his hands, and the asshole cop who detained Oscar and his friends takes Oscar's hand comfortingly as the former bleeds out on the platform. I don't know if the cops' reactions were true, but it all felt a little too manufactured. The epilogue with the real life footage of Oscar's daughter, Tatiana Grant, could only be more cliche if it was underscored by "Amazing Grace." By the end, the movie doesn't seem to say much about race or class or police brutality or law. It relies too much on pathos appeals to make this "a human story," not just a race or class story, which I find somewhat of a cop-out. The balance could have tipped more to the political instead of just the emotional.
August 5, 2013
aliceinpunderland

Super Reviewer

    1. Sophina: What is going on?
    – Submitted by Max T (49 days ago)
    1. Oscar Grant: You shot me.
    – Submitted by Moe J (2 months ago)
    1. Tatiana: Where's Daddy?
    – Submitted by Moe J (2 months ago)
    1. Oscar Grant: I'm good, I'm good, I'm gonna be good.
    – Submitted by Moe J (2 months ago)
View all quotes (4)

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Foreign Titles

  • Fruitvale Station (DE)
  • Fruitvale Station (UK)
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