Garmento (2002)

Garmento

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

Writer/director Michele Maher makes her feature debut with the satirical black comedy Garmento. Set in the garment district in N.Y.C. during the early '90s, fashion rookie Grindy Malone (Katie MacNichol) gets a job as an assistant to Ronnie Grossman (David Thornton), executive for Poncho Ramirez Inc. She meets the other industry players, including haughty Franca Fortuna (Saundra Santiago), assistant Rimi Stone (Gretchen Cleevely), flamboyant Jasper Judson (Jason Butler Harner), and designer … More

Rating: R
Genre: Drama, Comedy
Directed By:
Written By: Michele Maher
In Theaters:
Runtime:
Spanish Moss Productions - Official Site

Cast


as Grindy Malone

as Ronnie Grossman

as Ira Gold

as Franca Fortuna

as Jasper Judson

as Poncho Ramirez

as Louie Purdaro

as Poncho Commercial

as Policeman

as Poncho Commercial

as Poncho Commercial

as Poncho Commercial

as Shoji

as News Reporter

as Detective

as Poncho Commercial

as Caesar

as Sylvia Walsh

as Salesman

as Store Manager

as Fred MacMoudi

as Jobber

as Poncho Model

as Model

as Grindy's Mom

as Reporter

as Jack Kearns

as Poncho Commercial

as Young Grindy

as Poncho Commercial

as Daniel
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Critic Reviews for Garmento

All Critics (25) | Top Critics (10)

Garmento has nothing going for it.

Full Review… | October 2, 2003
Los Angeles Times
Top Critic

As a satire, Garmento is toothless. As a comedy, it's funny only in spurts.

Full Review… | August 7, 2003
Dallas Morning News
Top Critic

This shaky satire set in New York's garment district is consistently undone by an inconsistency of tone and less-than-assured directing and acting.

July 4, 2003
Hollywood Reporter
Top Critic

Despite MacNichol's sneaky verve and Thornton's sly subtlety the lead characters swiftly fade and shrink.

Full Review… | June 13, 2003
Newark Star-Ledger
Top Critic

Maher's feature debut has amusing moments, but falls apart as quickly as a cheap knockoff.

Full Review… | June 6, 2003
New York Daily News
Top Critic

A toothless, dated Seventh Avenue satire with shaky script, direction and acting.

June 5, 2003
New York Post
Top Critic

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