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Girlhood (2003)
Tomatometer
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Reviews Counted: 35
Fresh: 33
Rotten:2
Average Rating: 7.6/10
Consensus: An intimate, compassionate look at two teenagers in juvenile hall.
Theatrical Release:Oct 31, 2003 Limited
Synopsis: Girlhood, the new documentary film from Academy Award-nominated director Liz Garbus, tells two coming-of-age stories from the real America: Shanae, ten years old when she was gang-raped by five... Girlhood, the new documentary film from Academy Award-nominated director Liz Garbus, tells two coming-of-age stories from the real America: Shanae, ten years old when she was gang-raped by five boys, responded by drinking and drugging, and then graduated to murder, with the stabbing death of a friend, at age 11. Megan, whose mother abandoned her to turn tricks to support her ravaging heroin addiction, ran away from ten different foster homes before being arrested for attacking another foster child with a box cutter. Both girls ended up in the Waxter Juvenile Facility, home to Maryland's most violent juvenile offenders. It is here that their journeys really begin. With unprecedented access to the system and to the complex interior lives of the protagonists, girlhood follows Shanae and Megan over the next three years of their lives, as they struggle to come to terms with their crimes, their pasts, and their futures. One of them will graduate from high school at #4 in her class, having made her way through the minefield of her childhood and even greater crises to come; another will find herself trapped by the demons of her upbringing, on the streets of East Baltimore, still searching for salvation. But both will struggle to come of age in an America in which childhood, as we would all like to imagine it, is in shorter and shorter supply. A story of mothers and daughters, crime and its consequences, and ceaseless striving in the face of inconceivable adversity, girlhood is a testament to the faith and struggles of two young girls just trying to grow up. -- © Moxie Firecracker Films [More]
Director: Liz Garbus
Director: Liz Garbus
Producer: Liz Garbus, Rory Kennedy
Composer: Theodore Shapiro
Studio: Wellspring
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Reviews for Girlhood
Like many similar documentaries, this 2002 feature doesn't present easy answers, but by letting the two girls register as individuals, it forces the viewer to care about them when few around them can be bothered.
Girlhood thoughtfully questions not just the system itself, but our unfair assumptions about the young people caught within it.
To the film’s great credit, [director] Garbus evens out her often heavy-hand and we’re given the emotional core of two young female criminals in ways often eluded in the movies.
..disturbing, yet life affirming portrait ... girlhood is an early stage of life, but the consequences of mistakes upon womanhood and, more significantly, motherhood will ...
The trajectories of Shanae's and Megan's lives speak volumes for themselves.
Deeply affecting in the moment, but I’m not sure that Garbus draws much in the way of larger conclusions.
Girlhood begins as a document of criminal justice, and ends as a testament to the power of motherhood.
Thanks to unprecedented access, acclaimed documentarian Liz Garbus is able to continue her upfront examination of the American criminal justice system.
An eye-opening sociological examination that is alternately moving and tedious. Ultimately, however, one can't help but be caught up in the travails of its two memorable subjects.
It isn't just difficult to do justice to Shanae and Megan in an average of 44 minutes apiece; as it turns out, it's impossible.
Liz Garbus and company have skillfully captured raw emotions, something 'reality TV' almost never does, and Girlhood offers two valuable case studies to its audience, however difficult it may be to watch them.
While it is one part a coming-of-age story and one part a story of girls and mothers, Girlhood is just as much about the attainment of wisdom.
In the end, the girls' stories are inspiring and heartbreaking, making this sensitively directed film one of the most rewarding of the year.
Seems like a summer camp, with inmates enjoying soda and snacks in virtually every scene.
As grim as its subject may at first seem, Girlhood is at heart an emotionally rich look at mothers and their daughters, and provides a refreshing look at how 'the system,' flawed as it may be, can work.
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