Average Rating: 3.4/10
Reviews Counted: 24
Fresh: 3 | Rotten: 21
No consensus yet.
Average Rating: 2.6/10
Critic Reviews: 9
Fresh: 0 | Rotten: 9
No consensus yet.
liked it
Average Rating: 2.7/5
User Ratings: 20,090
Two cops with almost nothing in common find themselves brought together to capture a psychotic murderer in this action thriller. Jack Cole (Steven Seagal) was once a government intelligence operative known as "The Glimmer Man," because he could move so quickly and quietly that his victims would only see a glimmer before they died. Having left international espionage behind him, Cole -- steeped in Eastern mysticism and not used to working with others -- has become a detective with the Los Angeles
Oct 4, 1996 Wide
Aug 27, 1997
Warner Home Video
All Critics (27) | Top Critics (11) | Fresh (3) | Rotten (21) | DVD (3)
The plot of The Glimmer Man involves not only the Family Man but Our Evil Secret Government, the Russian Mafia and Rich Powerful Politicians -- the three stooges of action cinema in the '90s.
Most of the action scenes occur in the dark and are so heavily edited, it's hard to know whose limbs and faces are being splintered by Cole.
It's repetitive mayhem as usual.
Just as foolish and formulaic as it sounds.
All-in-all, what we have here is 'classic' Seagal. And that means, for anyone who isn't an admitted fan, an uninspired outing.
A brutish action movie that is as improbable as it is annoying.
Although this slick Seagal action pic won't convert die-hard detractors, aficionados will note that he's both gained weight and lightened up.
Keenen Ivory Wayans is so much more interesting, lively, and fun than Seagal you wish that he were the star of the film.
A lean and mean exploitation thriller, The Glimmer Man might not be original or memorable, but the goods are delivered with reasonable flair and efficiency.
There's no shortage of action.
Your average five-year-old could have constructed a plot with fewer holes in it.
Sadly, the surprisingly podgy Seagal spends far too much time contemplating and not enough time kicking Russian butt.
A bit darker than most buddy-cop genre films, but the teaming of Seagal and Wayans does work in many ways. The movie moves along too fast at times and a bit slower at others, but this was the last truly halfway-decent film Seagal made (with the exception of Into The Sun). It's not Rush Hour, true, but thank God it's
April 20, 2008Super Reviewer
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