Honda may not have created the most convincing-looking monster in cinema history, but he managed to give his sci-fi/horror movie a social relevance, particularly in postwar Japan.
Gojira (1954)
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Reviews Counted:17
Fresh:15
Rotten:2
Average Rating:7.5/10
Consensus: More than straight monster-movie fare, Gojira offers potent, sobering postwar commentary.
Theatrical Release:May 7, 2004 Limited
Synopsis: The testing of nuclear weapons in the Pacific Ocean triggers the awakening of a dreadful, 400-foot-tall, fire-breathing prehistoric lizard who commences to wreak havoc on the city of Tokyo. The... The testing of nuclear weapons in the Pacific Ocean triggers the awakening of a dreadful, 400-foot-tall, fire-breathing prehistoric lizard who commences to wreak havoc on the city of Tokyo. The original Japanese version of GODZILLA, without the Americanized addition of Raymond Burr. [More]
Starring: Takashi Shimura, Momoko Kouchi, Akihiko Hirata
Starring: Takashi Shimura, Momoko Kouchi, Akihiko Hirata
Director: Inoshiro Honda
Director: Inoshiro Honda
Studio: Rialto Pictures
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Reviews for Gojira
The rampaging reptile is back to remind us that monsters have meaning.
Maybe it's 50 years late, but we're finally getting to see Godzilla as it was meant to be seen.
This is a bad movie, but it has earned its place in history, and the enduring popularity of Godzilla and other monsters shows that it struck a chord.
It's less of a monster movie and more of a morality play about the dangers of nuclear experimentation.
Godzilla has never looked as good as in Honda's original conception, and few sci-fi creatures have equaled the size or impact of its first footsteps.
A great boon to monster movie fans, but will have limited appeal to others.
Political charge elevates Godzilla far above its reputation for cheesiness, but not so far that it should be mistaken for political satire.
Morally compelling aspects of Honda's film lost to Americans are now restored.
Its images of the destruction of the cities is far more powerful than in American films, where the cities are trashed for the pure pleasure of destruction, without any real sense of human loss.
An interesting exercise in nostalgia as well as an informative look at the origins of a sci-fi giant who's stamped through nearly 30 films.
A collective metaphor and a collective nightmare, a message film that says more than its message, that captures, with a horrified poetry, the terrors that stomped through the minds of people 50 years ago.
Godzilla is now more 'serious,' yet its tone just veers closer to that of solemn American B-horror cheese like Them!
As crass as it is visionary, Godzilla belongs with -- and might well trump -- the art films Hiroshima Mon Amour and Dr. Strangelove as a daring attempt to fashion a terrible poetry from the mind-melting horror of atomic warfare.
Godzilla remains one of the most potent mythic structures of the 50s, and you get him here in full foot-stomping glory.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
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