Gone Reviews

Top Critic
Cath Clarke
Time Out
April 19, 2012
Everything about 'Gone' has the plasticy, leatherette feel of an imitation thriller.
Full Review | Original Score: 1/5
Top Critic
Rex Reed
New York Observer
February 29, 2012
Gifted and sincere as she always is, there's not much Ms. Seyfried can do with this tripe.
Full Review | Original Score: 1/4
Top Critic
Tom Russo
Boston Globe
February 27, 2012
It's a significant letdown that after all Jill's running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspired afterthought.
Full Review | Original Score: 2/4
Top Critic
Glenn Whipp
Los Angeles Times
February 27, 2012
A movie that makes "Murder on the Orient Express" feel like"The Silence of the Lambs"by comparison.
Full Review | Original Score: 1/5
Top Critic
Eric D. Snider
Film.com
February 26, 2012
No money should ever change hands in any Gone-related interaction, unless it is because you are buying matches and gasoline to set all the copies of it on fire.
Full Review | Original Score: D-
Top Critic
Matt Singer
Time Out
February 26, 2012
Siblings aren't the only things missing from Gone: Suspense, scares and common sense are all likewise MIA.
Full Review | Original Score: 1/5
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Peter Travers
Rolling Stone
February 25, 2012
It lies there flapping like a dying fish. Skip it.
Full Review | Original Score: 1.5/4
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Clark Collis
Entertainment Weekly
February 25, 2012
Which stinks worse? The absurdly large pile of red herrings Gone amasses? Or the film's sub-Scooby Doo conclusion?
Full Review | Original Score: C+
Top Critic
Jeannette Catsoulis
New York Times
February 24, 2012
Ms. Seyfried belongs to a stable of blank-faced, saucer-eyed beauties whose limited appeal may conquer the small screen but so far has failed to tame the large.
Full Review | Original Score: 1.5/5
Top Critic
Linda Barnard
Toronto Star
February 24, 2012
While Gone has some visual style, the cheap and melodramatic script fails to make it to the party.
Full Review | Original Score: 1/4
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Tasha Robinson
AV Club
February 24, 2012
It's never fully convincing in the way it lays out a bread-crumb trail for its suffering protagonist to follow to the truth. But it does find a little new life in a familiar formula.
Full Review | Original Score: B-
Top Critic
John DeFore
Hollywood Reporter
February 24, 2012
A thriller so fixated on red herrings that viewers may stop caring if anyone's really in danger.
Top Critic
Dennis Harvey
Variety
February 24, 2012
A low-pulse thriller that evaporates from memory with the last credit.