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Movies / On DVD / The Good, the Bad and the Ugly
The Good, the Bad and the Ugly

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The Good, the Bad and the Ugly (1966)

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Reviews Counted:11

Fresh:10

Rotten:1

Average Rating:8/10

Consensus: Arguably the greatest of the spaghetti westerns, this epic features a compelling story, memorable performances, breathtaking landscapes, and a haunting score.

Runtime: 2 hrs 59 mins

Genre: Westerns

Synopsis: Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location... Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location of the graveyard where a Confederate treasure is buried, while Blondie learns the identity of the exact grave. Joined by mercenary drifter Angel Eyes (Lee Van Cleef), they cross the desert, each of the desperadoes knowing half the secret and each focusing his squinty eyes on the $200,000 bounty. In a classic that puts style above substance, Italian director Sergio Leone uses vivid Cinemascope imagery to depict a bleak and bloody American West in this final installment of his collaboration with Clint Eastwood in the Man with No Name Trilogy. A prototype for the so-called Spaghetti Western genre, the film solidified Eastwood's position as a major international star with his stoic, brooding presence. Cinematographer Tonino Delli Colli's stunning visuals are a match for the vivacious Ennio Morricone score, one of the most recognizable in all of cinema. Although the film was not released in the United States until 1967, it was produced and released internationally in 1966. [More]

Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega

Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega, Aldo Giuffre, Chelo Alonso, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli

Director: Sergio Leone

Director: Sergio Leone
Producer: Alberto Grimaldi
Story: Luciano Vincenzoni
Composer: Ennio Morricone

[See More Credits]

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Release:

May 12, 2009

[DVD Details]
 
 

DVD Features:

  • 2-Disc Set
  • Region 1
  • NTSC
  • Full Frame - 1.33
  • Widescreen - 2.35

Audio:

  • Dolby Digital 5.1 - English
  • Subtitles - English, French, Spanish

Additional Release Material:

  • Trailers: Original Theatrical Trailer
  • Audio Commentary: Richard Shickel - Film Historian

Alternate Scenes:

  • 1. "Extended Tuco Torture Scene"
  • 2. "The Socorro Sequence: A Reconstruction"

Documentary:

  • 1. "Leone's West"
  • 2. "The Leone Style"
  • 3. "The Man Who Lost the Civil War"

Featurette:

  • 1. "Reconstructing THE GOOD, THE BAD, & THE UGLY"
  • 2. "Il Maestro: Ennio Morricone and THE GOOD, THE BAD, & THE UGLY"

Text/Photo Galleries:

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Reviews for The Good, the Bad and the Ugly

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1 - 12 (sorted by date)
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All three arrive at the cache at the same time. Who gets it? Director Leone doesn't seem to care very much, and after 161 minutes of mayhem, audiences aren't likely to either.

Full Review Source: TIME Magazine | comment 44 Comments
08/11/08
TIME Magazine
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
07/22/08
Variety Staff
Variety Staff
Variety
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Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

Full Review Source: Chicago Reader | comment 2 Comments
03/28/07
Dave Kehr
Dave Kehr
Chicago Reader
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Sergio Leone's epic looks good, almost great, restored to its original running time.

Full Review Source: Hollywood Reporter | comment Comment
06/08/04
Glenn Abel
Glenn Abel
Hollywood Reporter
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Of all the great films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated only on the big screen.

Full Review Source: Detroit Free Press | comment Comment
09/11/03
John Monaghan
John Monaghan
Detroit Free Press
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Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.

Full Review Source: Minneapolis Star Tribune | comment Comment
09/11/03
Colin Covert
Colin Covert
Minneapolis Star Tribune
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This is a great movie, whatever strange estuary of the western river it occupies.

Full Review Source: Washington Post | comment Comment
08/22/03
Stephen Hunter
Stephen Hunter
Washington Post
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An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.

Full Review Source: Chicago Tribune | comment Comment
08/07/03
Michael Wilmington
Michael Wilmington
Chicago Tribune
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Art it is, summoned out of the imagination of Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.

Full Review Source: Chicago Sun-Times | comment Comment
08/05/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
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The uncut new print reclaims the widescreen majesty of Tonino Delli Colli's cinematography, allowing you to see every iconic wart and furrow on every bad guy's face.

Full Review Source: Boston Globe | comment Comment
08/01/03
Ty Burr
Ty Burr
Boston Globe
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It's great to see a great director's film as he intended it, with rich color and restored sound.

Full Review Source: Newark Star-Ledger | comment Comment
06/03/03
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
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All told, and in giant widescreen, it's only blood-red adolescent fun, but it blooms like Douglas Sirk with a Gatling gun compared to the teenage demographic's current fare.

Full Review Source: Village Voice | comment Comment
05/27/03
Michael Atkinson
Michael Atkinson
Village Voice
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