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Critic Reviews for Goon
As the brutality ramps up, and the story gains real consequence, for some reason, we actually laugh harder. Goon is a comedy, often a very funny one, but you might be hesitant to call it that once you've actually seen it.
[Scott] is reason enough to see the film, which otherwise is a by-the-book sports comedy.
The movie's unlikely sincerity can't completely offset its ugliness for less bloodthirsty viewers, but it helps, and it does smooth over some narrative rough edges.
I laughed so hard I almost injured myself. My distinguished colleague fell out of his chair.
Crosses the blue line so often you're compelled to pin it against the boards and administer a quick knee to the groin.
Audience Reviews for Goon
A nice guy with a heart of gold, a boy scout nearly, has one remarkable talent: the ability to bring the ultra-violence. Scott plays this believably, and thus the gorefest that follows is forgivable, and thus the sneaky charm of this work. The cast are all given room to inhabit their characters and so the audience is allowed to root for the near mindless violence ladled out before us. Friggen insidious.
I'm sure the story of this film is pretty good, but I could not get through the first quarter because of the copious amount of swearing. I'm pretty open-minded when it comes to stuff like that and I don't recall ever not finishing a film, but this was so over the top it was distracting to the point of annoyance.
A very simple, and yet beautiful film, about the life of Doug Glatt (William Scott), a bouncer turned hockey enforcer. It remains very sweet as it follows the even tempered and quite friendly Doug while he gratefully takes on the role of enforcer, or hockey fighter, in the minor leagues. The first great thing about this film is that it has some of the bloodiest fights ever seen, and they're all fun to watch because they come from a place of spectator sport and not filthy bloodlust. To say that they're one and the same is subjective, but when it comes to this film they're separated easily enough. What's also interesting seems to be the character that is Doug. While obviously not human in his retention of pain and misunderstanding from everyone around him, he was likable, even lovable. I will say it, I love the character of Doug Glatt, a man who sees the best in everyone and remains humble and loyal. That and the film is just downright entertaining. From the romantic relationship between Glatt and Eva (Pill), to his friendship with the epithet screaming Pat (Baruchel), to his strange rivalry with Ross Rhea (Schreiber), every relationship in this film entertains. The characters are interesting, the sports scenes actually build tension for the forthcoming final game, and some of these shots are just priceless. Especially when it comes to the fight scenes. They are unapologetically bloody, not at all over exaggerated, and feel very real and yet didn't have the same glory attributed to them in the real world. There's definitely a lack of glory, and clarification of what it means to be a hockey hero or someone who protects their team from hateful rivals. It was also great to find out that Doug was a real person in the credits where they showed some of his real hockey fights. They look as gruesome as the film, which lends even further to the film's realism.
|Eva:||You make me want to stop sleeping with a bunch of guys.|
|Doug Glatt:||That's the nicest thing anyone's ever said to me.|
|Doug Glatt:||69! Take the number 69. It's hilarious.|
|Doug Glatt:||I think I nailed him.|
|Ronnie Hortense:||Good skills. Too bad those are your own guys you just fucked up.|
|Doug Glatt:||Oh sorry.|
|Ronnie Hortense:||On the bright side. Those were your own guys you just fucked up.|
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