Not all the little stories and vignettes work (some seem almost pointless), but most of the performances, especially a haughty luncheon under a veil of politeness with Gyllenhaal and Falco, are spot on, involving and revealing.
The Great New Wonderful (2006)
Tomatometer
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Reviews Counted:15
Fresh:11
Rotten:4
Average Rating:6.3/10
Consensus: Set in post-9/11 New York, this largely evocative dramedy interweaves the stories of five disconnected individuals who share an unspoken emotional malaise that shadows their attempts at returning to normal life.
Theatrical Release:Jun 23, 2006 Limited
Box Office: $39,712
Synopsis: Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and... Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and DUDE, WHERE'S MY CAR?. While those films were hardly subtle, A GREAT NEW WONDERFUL tries very hard to be, never directly referring to 9/11 but rather to the general unease that was left in its wake. In what has become a familiar formula, the film relies on interweaving separate narratives to tell five stories simultaneously. As the lives of several New Yorkers from a variety of ethnic and socioeconomic backgrounds unwind in September 2002, we are invited to look for clues of post-traumatic stress. What unfolds, however, could very well have occurred in September 2000, as the film never clearly states how direct a connection the characters have to the World Trade Center attacks. As a ruthlessly ambitious young cake-maker (Maggie Gyllenhaal) aims to outdo her competition (Edie Falco), two immigrant security guards drive around the city and offer commentary on life. Meanwhile, a yuppie mother (Judy Greer) struggles to control her violent and disturbed 10-year-old, a lonely older woman (Olympia Dukakis) in Coney Island attempts to escape her tired routine, and an oddball psychiatrist (Tony Shalhoub) is hired to help an office worker (Jim Gaffigan) who lost several colleagues in the attacks. Sam Catlin's script creates a vagueness and mystery which is both refreshing and frustrating. While never dwelling in sentimentality, the film is thought-provoking in its pondering of the ways in which people deal and fail to deal with things stressful, painful, and shocking. [More]
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis, Jim Gaffigan, Will Arnett, Stephen Colbert, Judy Greer, Thomas McCarthy, Naseeruddin Shah, Sharad Saxena, Seth Gilliam, Dick Latessa
Director: Danny Leiner
Director: Danny Leiner
Producer: Danny Leiner, Leslie Urdang
Studio: First Independent Pictures
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Reviews for The Great New Wonderful
It may be the 9/11 movie to which the most people can relate. For most of us, that date wasn't about personal heroics or losing loved ones or survival. It was about processing the impossible and realizing that life, with all its ups and downs, must go on.
While the film rarely imparts a true sense of messy everyday feelings and the strife of real life, the fine actors take your mind off the shortcomings.
Set on the one-year anniversary of the twin towers' collapse, the drama interweaves five stories about New Yorkers. It's a testament to the city's resolve to resume life as normal.
...director Danny Leiner uses a dainty palette of tristesse (untouched when he made Dude, Where's My Car?) to suggest that the shadow of 9/11 makes every discontent more pathetic.
The stories don't really connect, and for all the film's portentous shots of the changed skyline, there's no sense that 9/11 really changed these people.
Why is such a talented cast doing such weak material? This finally becomes clear an hour in, when most of the actors get to do what they love: play emotional breakdowns.
The stories are eye-opening and heartwarming at the same time, but you'll be moved less by empathy for the characters than by the summoning of your own emotional memories. This movie is personal.
This mysteriously rich, mostly wonderful comedy-drama takes place in September 2002, when the lives of its unconnected New Yorkers have returned to something that looks like normal. 'Normal' being a thin layer of tissue paper over the abyss.
Danny Leiner's film offers a collection of quiet, tidy vignettes that occur simultaneously in New York City a year after the terrorist attacks of Sept. 11, 2001.
The Great New Wonderful squanders a fine opportunity: to examine the emotional effect of the events of Sept. 11, 2001, on the lives of New Yorkers one year later.
For an independent film, it is quite a rewarding big-time experience.
The film, set in September 2002, employs 9-11 as a thematic crutch, positing the attacks as little more than a backdrop for its characters' other, infinitely less significant woes.
If the writer, Sam Catlin, can’t begin to make the storylines jell, he does elicit squirms and titters from the shark-filled moats between peoples’ conscious and unconscious lives.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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