...The Great New Wonderful boasts a pervasively aimless atmosphere that slowly but surely wears the viewer down and ensures that the film's overtly positive elements are ultimately rendered moot.
The Great New Wonderful (2006)
Tomatometer
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Reviews Counted:40
Fresh:29
Rotten:11
Average Rating:6.6/10
Consensus: Set in post-9/11 New York, this largely evocative dramedy interweaves the stories of five disconnected individuals who share an unspoken emotional malaise that shadows their attempts at returning to normal life.
Theatrical Release:Jun 23, 2006 Limited
Box Office: $39,712
Synopsis: Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and... Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and DUDE, WHERE'S MY CAR?. While those films were hardly subtle, A GREAT NEW WONDERFUL tries very hard to be, never directly referring to 9/11 but rather to the general unease that was left in its wake. In what has become a familiar formula, the film relies on interweaving separate narratives to tell five stories simultaneously. As the lives of several New Yorkers from a variety of ethnic and socioeconomic backgrounds unwind in September 2002, we are invited to look for clues of post-traumatic stress. What unfolds, however, could very well have occurred in September 2000, as the film never clearly states how direct a connection the characters have to the World Trade Center attacks. As a ruthlessly ambitious young cake-maker (Maggie Gyllenhaal) aims to outdo her competition (Edie Falco), two immigrant security guards drive around the city and offer commentary on life. Meanwhile, a yuppie mother (Judy Greer) struggles to control her violent and disturbed 10-year-old, a lonely older woman (Olympia Dukakis) in Coney Island attempts to escape her tired routine, and an oddball psychiatrist (Tony Shalhoub) is hired to help an office worker (Jim Gaffigan) who lost several colleagues in the attacks. Sam Catlin's script creates a vagueness and mystery which is both refreshing and frustrating. While never dwelling in sentimentality, the film is thought-provoking in its pondering of the ways in which people deal and fail to deal with things stressful, painful, and shocking. [More]
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis, Jim Gaffigan, Will Arnett, Stephen Colbert, Judy Greer, Thomas McCarthy, Naseeruddin Shah, Sharad Saxena, Seth Gilliam, Dick Latessa
Director: Danny Leiner
Director: Danny Leiner
Producer: Danny Leiner, Leslie Urdang
Studio: First Independent Pictures
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Reviews for The Great New Wonderful
No film that I've yet seen better captures the dismal mood that gripped the city in the wake of the [9/11] attacks...
While it's not always successful at doing so, this film does have its perceptive, thoughtful moments. And it features one of the best ensemble casts in recent memory.
[The characters], like us, are looking for answers in a rare movie that boldly and thoughtfully asks the right questions.
There are amusing moments sprinkled throughout the film, a few genuine laughs, and some nicely played dramatic scenes.
Not all the little stories and vignettes work (some seem almost pointless), but most of the performances, especially a haughty luncheon under a veil of politeness with Gyllenhaal and Falco, are spot on, involving and revealing.
It may be the 9/11 movie to which the most people can relate. For most of us, that date wasn't about personal heroics or losing loved ones or survival. It was about processing the impossible and realizing that life, with all its ups and downs, must go on.
Leiner...wants to say something important, but his cinematic and narrative technique isn't up to the task.
Yet -- and quite in spite of its plinky piano score -- The Great New Wonderful conjures occasional vividness, irrepressible pain or insight.
There's an emotional truth to TGNW that can be denied or ignored, and it comes through if you give the movie a chance.
While the film rarely imparts a true sense of messy everyday feelings and the strife of real life, the fine actors take your mind off the shortcomings.
The movie itself is having an identity crisis; it tries to make 9/11 a significant day in these people's lives and it has nothing to do with that day, both at the same time.
It's in the Magnolia/Short Cuts vein and, although it's not as good as those classics, the characters and their dilemmas are absorbing.
Set on the one-year anniversary of the twin towers' collapse, the drama interweaves five stories about New Yorkers. It's a testament to the city's resolve to resume life as normal.
[Maggie] Gyllenhaal ... slips into character with greater ease than any other young American actress now in the movies.
This is a film that never really says what's it's about, and may in fact not be about much of anything other than the zeitgeist of the era. Which, if you think about it, is plenty.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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