As amusing as the concept is, the actual result is a considerable disappointment - a high-tech forgery that lacks the disreputable charm of its models, which were made without the self-conscious affectation on display here.

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Grindhouse (2007)
Tomatometer
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Reviews Counted:185
Fresh:152
Rotten:33
Average Rating:7.4/10
Consensus: Grindhouse delivers exhilarating exploitation fare with wit and panache, improving upon its source material with feral intelligence.
Rated: R [See Full Rating] for strong graphic bloody violence and gore, pervasive language, some sexuality, nudity and drug use
Runtime: 3 hrs 11 mins
Genre: Horror/Suspense
Theatrical Release:Apr 6, 2007 Wide
Box Office: $24,928,753
Synopsis: GRINDHOUSE is the cinematic equivalent of Bach and Beethoven adding their touch to a boy-band song. Master directors Quentin Tarantino (PULP FICTION) and Robert Rodriguez (SIN CITY) indulge their... GRINDHOUSE is the cinematic equivalent of Bach and Beethoven adding their touch to a boy-band song. Master directors Quentin Tarantino (PULP FICTION) and Robert Rodriguez (SIN CITY) indulge their inner fanboys and team up for this homage to their favorite B-movies. Rodriguez's film, PLANET TERROR, is an old-fashioned zombie film that's infused with enough gore and giggles to please even Peter Jackson (BAD TASTE). Rose McGowan (CHARMED) plays Cherry, a go-go dancer whose night is interrupted by a vicious zombie attack that leaves her missing a leg. Her ex-boyfriend, Wray (Freddy Rodriguez, SIX FEET UNDER), takes charge, fashioning her a new leg from a machine gun and killing zombies along the way. In Tarantino's DEATH PROOF, Stuntman Mike (Kurt Russell) stalks beautiful women with his deadly vintage car. When he picks a trio of tough girls (Rosario Dawson, Tracie Thoms, and Zoe Bell), he learns they aren't such easy prey. This double feature plays as a three-hour ode to the horror and exploitation films that once played in grimy grindhouses across the country. As with any Tarantino film, there are plenty of nods to pop culture, and this is no exception. Fellow horror directors Rob Zombie, Eli Roth, and Edgar Wright contribute fake trailers that are squeezed in between the two features. Genre fans will love seeing familiar faces such as Tom Savini, Danny Trejo, and Bill Moseley. Clearly Tarantino and Rodriguez were film lovers before they were filmmakers, and their passion for the medium is infectious. Those who can stomach GRINDHOUSE's high level of guns, guts, and gore are in for a treat. The hyper-violent films aren't for everyone, but three hours of film has rarely been this much fun. [More]
Starring: Rose McGowan, Freddy Rodriguez, Marley Shelton, Kurt Russell
Starring: Rose McGowan, Freddy Rodriguez, Marley Shelton, Kurt Russell, Bruce Willis, Rosario Dawson, Josh Brolin, Jeff Fahey, Michael Biehn, Naveen Andrews, Julio Oscar Mechoso, Vanessa Ferlito, Jordan Ladd, Sydney Poitier, Tracie Thoms, Mary Elizabeth Winstead, Zoe Bell, Michael Bacall, Eli Roth, Michael Parks, James Parks, Stacy Ferguson, Tom Savini, Sheri Moon Zombie, Danny Trejo, Bill Moseley, Nicolas Cage
Director: Quentin Tarantino, Robert Rodriguez, Eli Roth
Director: Quentin Tarantino, Robert Rodriguez, Eli Roth
Screenwriter: Quentin Tarantino, Robert Rodriguez
Producer: Elizabeth Avellan, Gabrielle Roth, Erica Steinberg, Eli Roth, Philip Waley, Quentin Tarantino, Robert Rodriguez
Studio: Dimension Films
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Reviews for Grindhouse
Grindhouse is both impressive and disappointing. From a technical and craft point of view it is first-rate; from its standing in the canon of the two directors, it is minor.
The numbness of sitting through nearly two hours of dreck isn't all that kills the momentum going in to Death Proof.
A long, blood-splattered stunt of a movie, Grindhouse, may be something only critics and film nerds can love.
A museum installation of crap culture artifacts that is both entirely too much and not nearly enough. The tiresome, self-referential Tarantino has become trapped in his own Jack Rabbit Slim's.
Packaging a three-hour-plus program may be daring, but pairing a long running time with junk-food cinema is enough to make you sick.
Rodriguez understood the project the better of the two directors and made the more appropriate of the two films. Tarantino appears to have gotten into making his film and then forgot what he was supposed to be doing.
Robert Rodriguez bakes a load of stale if bloody pastry called Planet Terror, while Quentin Tarantino fries up a tasty mess of fun with Death Proof.
Both films are wildly entertaining, as long as you're ready for the high-intensity gore factor, the sex (mostly talk) and the violence.
RR and QT do an excellent job of simulating the content of grindhouse offerings, but they don't simulate the experience or the giddy kick.
Tarantino must get a kick hearing his fantasies come out of these mouths. But for the first time here, it seems more than a little creepy.
Tarantino and Rodriguez assume that we’ll relish the movie’s violence or shrug it off as play, as they do, but not everyone in the audience will want his enjoyment of it taken for granted that way.
The dragging, plodding pace and creative misfire of Tarantino's movie is enough to put a big damper on the sum total of the Rodriguez/Tarantino double feature experiment.
Rodriguez, to a fault, delivers a zombie movie that lazily apes the exploitation handbook, while Tarantino, also to a fault, gives us a gabby picture that is about as un-grindhouse as you can get and still feature a killer stuntman.
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Exploitation films are B-grade gold for those who like it rough, sleazy and thrill-packed. More...
February 13, 2008:
Grindhouse Gets UK Screenings
The wait is over. After nearly a year of watching and wondering, after getting split releases for Death Proof and Planet Terror and after coming to the conclusion that it'd... More...
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