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Gunner Palace (2005)
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Reviews Counted:31
Fresh:26
Rotten:5
Average Rating:7.2/10
Consensus: A shapeless documentary, but shows what's it like for the soldiers on the ground.
Rated: PG-13 [See Full Rating] on appeal for strong language throughout, violent situations and some drug references
Runtime: 85 mins
Genre: Education/General Interest
Theatrical Release:Mar 4, 2005 Limited
Box Office: $63,520
Synopsis: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son... In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bomb-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing soldiers in combat and hearing them talk about what it's like. [More]
Director: Mike Tucker
Director: Mike Tucker
Producer: Petra Epperlein
Studio: Palm Pictures
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Reviews for Gunner Palace
Tucker takes it all in without taking a stand, though his sympathies -- expressed through voiceover narration -- clearly lie with the men and women in the field.
You certainly can't question Tucker's bravery, but you may occasionally feel the urge to ask him to be quiet.
While Gunner Palace has the immediacy of street rap, it is actually a throwback to the cinema verite style of pioneering documentarians D.A. Pennebaker, Albert Maysles and Frederick Wiseman.
The film's strength -- and its weakness -- is in its you-are-there view of guys who are e-mailing their loved ones back home one minute and breaking down the doors of Iraqi homes the next, on the hunt for the enemy.
A bit disjointed but accomplishes its mission: to provide a glimpse into the soldiers' everyday lives without taking a side on the war.
A doc that doesn't quite live up to its premise but still manages to go beyond packaged news and into the often surreal days and nights of soldiers in a strange, modern war.
Jammed with information and serious testimony, giving a detailed and textured account of what it's like to be fighting the war more than a year after victory was declared.
Works purely as a series of complex snapshots of the conflict in Iraq.
This film is so valuable. Not because it argues a position about the war and occupation, but because it simply goes and observes as soldiers work and play, talk and write letters home and, on a daily basis, risk their lives in sudden bursts of violence.
Director Michael Tucker has accomplished something difficult, making a casual though often intense film in the midst of a war zone.
Suggests the primacy of movies in shaping both the reality that led these soldiers to enlist and the one they found in Iraq when they got there.
I have seen much televised footage of Baghdad from a distance, but I have never before been made aware of how large and built-up a city Baghdad is.
Tucker has an eye for arresting imagery, but not the maturity or finesse to illuminate it.
Too much of the film feels like a slavish imitation of the fictional Apocalypse Now, with Michael Tucker's narration sounding like a parody of Martin Sheen's raspy weariness.
For most of us, Michael Tucker and Petra Epperlein's riveting documentary will be as close as we ever get to seeing the Iraq war as it has unfolded for the men and women on the ground.
The film is more of an anthropological essay on the way young Americans relate while they make war, not love, and try to survive in the meantime.
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