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Gypsy Caravan (2006)
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Reviews Counted:19
Fresh:16
Rotten:3
Average Rating:7.1/10
Consensus: A dynamic doc following five Romani bands is a pleasure for the senses thanks to vibrant colors and eclectic music.
Theatrical Release:Jun 15, 2007 Limited
Box Office: $134,215
Synopsis: An audience favorite at film festivals worldwide, GYPSY CARAVAN is a gorgeous surround-sound celebration of misery and oppression turned into music. GYPSY CARAVAN is a dazzling display of the... An audience favorite at film festivals worldwide, GYPSY CARAVAN is a gorgeous surround-sound celebration of misery and oppression turned into music. GYPSY CARAVAN is a dazzling display of the musical world of the Roma, juxtaposed to the real world they live in. This rich feature documentary celebrates the luscious music of top international Gypsy performers and interweaves stirring real life tales of their home life and social background. Shot by documentary icon Albert Maysles, the film takes place on tour in Europe and in the USA during the Gypsy Caravan concert tour, as well as on location in Spain, Macedonia, Romania and India. --© Shadow Distribution [More]
Studio: Shadow Distribution
Reviews for Gypsy Caravan
For its glimpses of various lifestyles and personalities -- an ancient but spry fiddler, a young male who performs in drag -- it isn't bad.
The emphasis remains on the personal stories of the players themselves who, for all their backstage squabbling, identify more with each other than any of the countries in which they've settled.
If music were all, Gypsy Caravan would be amazing. As is, it's worth seeing, but you may get frustrated at the way Dellal raises provocative questions about ancestry and prejudice...
Gypsy Caravan succeeds in its primary goal to open ears and minds to Roma music, accurately described as being about 'the rhythm, the language, the feeling.'
The personalities of the players also contribute energy. They are an immensely charismatic bunch.
It's hardly surprising that Gypsy Caravan, a lively and lovely music documentary, is rife with whirling rhythms, wild, soaring melodic lines, the ululations of singers steeped in centuries of Romany tradition.
Not quite fully satisfying as either cinematic ethnography or as a concert film.
Caravan sounds great and if nothing else should help diminish the stereotype, blasted by the film's subjects, of Gypsies as little more than pickpockets whom travelers need to be wary of.
Gypsy Caravan could have used some judicious trimming, but you forgive Dellal her excesses as she forgives her artists theirs. This is music to gorge on, raw ethnic survival in the form of sound.
Uncovers the same joy and sorrow that characterizes the Romani music in the everyday lives of the musicians who play it.
It's easy to see why [director] Dellal had trouble turning the camera off, especially when confronted with a startling and sad plot twist. Viewers are urged to grab an aisle seat, the better to dance when the music moves them -- as it surely will.
As a music document and as a labor of unabashed love, the nonfiction feature Gypsy Caravan could hardly be better; as a movie, it could stand some improvement.
Gypsy Caravan avoids any serious discussion of the social issues that confront the world's 10 million Roma. Unfortunately, the well-intentioned film never gets beyond clichés itself.
It's a two-hour movie, and I'm only sorry it isn't two or three times as long. Let me read your thoughts: You're not much interested in Gypsy music, and the historical and cultural stuff might be pretty dry. That's what I thought too: Wrong and wrong.
Everyone is having so much fun, one would really like to be a part of it. But the performance sequences are too jaggedly truncated to pull us in entirely.
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