Multiple intersecting stories, including plots about blackmail, stolen sperm, and a woman who fucks a gay drummer and his father, are at the center of this Robert Altman imitation.By the end of this film, I thought that it had reached the Altman Standard in terms of its ability to cleverly combine these characters with
some degree of dramatic effectiveness. I write "dramatic" intentionally because even though the title cards and other sources identify this as a comedy, I saw very little humorous about its situations or delivery. Sure, there are a couple moments that were chuckle-worthy, but that's about it.In my sentence-summary of the film, I listed the most prominent plots, and if you think I'm being somewhat satirical, you're right. A lot of the critics' reviews of Happy Endings lamented the ludicrousness of its storylines, and from a writer's standpoint, I have to agree. However, good actors can sometimes save bad writing. The way in which each of these actors commit to their characters makes the film almost believable. Of particular note is Lisa Kudrow, with whom I, a long-time Friends hater, have never been impressed. But she scraps her ditsy-girl act, and her damaged character exudes a vulnerability that her other work didn't allow her to explore.Also, throughout the film we get title cards explaining characters' back-stories, and this strikes me as lazy filmmaking. Instead of deftly showing the information we need, the film inundates the audience with minutiae and sly comments that have little bearing on the film's action.Overall, though there are some significant issues from a writing perspective, the actors save this piece.
March 31, 2011
Top Critic
