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Harrison's Flowers (2002)
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Reviews Counted:26
Fresh:11
Rotten:15
Average Rating:5.3/10
Consensus: Though it presents the war in shockingly gritty, realistic terms, Harrison's Flowers uses such scenes as background for a trite love story.
Rated: R [See Full Rating] for strong war violence and gruesome images, pervasive language and brief drug use
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Mar 15, 2002 Wide
Box Office: $1,621,845
Synopsis: Andie MacDowell is phenomenal as Sarah Lloyd, a devoted wife and mother who goes to former Yugoslavia to find her husband Harrison Lloyd (David Strathairn) when he disappears and is assumed dead.... Andie MacDowell is phenomenal as Sarah Lloyd, a devoted wife and mother who goes to former Yugoslavia to find her husband Harrison Lloyd (David Strathairn) when he disappears and is assumed dead. Sarah and Harrison share a deep love and understanding, but Harrison, a Pulitzer Prize-winning photo journalist, is frequently away on business and the family is starting to suffer. He takes an assignment in the former Yugoslavia, promising Sarah he'll be back for their son's birthday, but he never returns. Knowing in her gut that he's alive, Sarah journeys to find him and discovers the insanity and horror of war. The strength of HARRISON'S FLOWERS lies in its nuanced performances and strong cinematography. Andie MacDowell is alternately gentle, irrational, compassionate, and fierce and her eyes reflect a quiet intensity that's mesmerizing. Adrien Brody's depiction of Kyle, a cynical, drug-addicted photo journalist, is maddening and engaging. His transformation from a bitter, self-centered, wannabe hot shot photographer into Sarah's loyal friend is heartbreaking. The battle scenes are brutal and shocking and reveal the kinds of risks that journalists take when they aggressively pursue a story. Nicola Pecorini's filming captures the finest details as if every moment were a fleeting memory. [More]
Starring: Andie MacDowell, Elias Koteas, Gerard Butler, Adrien Brody
Starring: Andie MacDowell, Elias Koteas, Gerard Butler, Adrien Brody, Marie Trintignant, David Strathairn, Brendan Gleeson, Alun Armstrong, Christopher Clarke
Director: Elie Chouraqui
Director: Elie Chouraqui
Screenwriter: Elie Chouraqui, Michael Katims, Isabel Ellsen
Producer: Albert J. Cohen
Composer: Bruno Coulais, Pascal Obispo
Studio: Universal Focus
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Reviews for Harrison's Flowers
The movie too often works against itself, pitting an increasingly implausible story with Chouraqui's hard-core realism.
Director Elie Chouraqui, who co-wrote the script, catches the chaotic horror of war, but why bother if you're going to subjugate truth to the tear-jerking demands of soap opera?
It's the unsettling images of a war-ravaged land that prove more potent and riveting than the unlikely story of Sarah and Harrison.
Remarkable for its power to immerse us in the terror, panic and sheer adrenalized rush of the photojournalist's existence.
Split between the bloody relentlessness of the war scenes and the verging-on-schmaltz sentiment on the home front.
Shatteringly realistic action sequences lift this fictionalized treatment of the Serbian-Croatian fighting notches above its sentimental domestic framing device.
Hogwash American sentimentality in a film that shows raped children and brutish soldiers is both disorienting and troubling.
Ends up wilting in the cold light of recent and real heroism, which may not be this photogenic but has the advantage of being incredible and true.
It uses the pain and violence of war as background material for color.
The scenes of carnage are so well-staged and convincing that they make the movie's story even harder to believe.
We may get the full visceral impact of a ruthless army on the warpath but no sense of the devilish complexity of the Balkans conflict.
It's basically a not entirely believable soap opera that would not be out of place on Lifetime if some of the violence were toned down.
It's a hysterical, schizophrenic mishmash of styles and elements, a gruesome and realistic war film wrapped in a weepy Hallmark card.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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