Head in the Clouds (2004)
Runtime: 2 hrs 12 mins
Genre: Dramas
Starring: Charlize Theron, Penelope Cruz, Stuart Townsend, Thomas Kretschmann, Steven Berkoff
Screenwriter: John Duigan
Producer: Michael Cowan, Bertil Ohlsson, Jason Piette, Jonathan Olsberg, Andre Rouleau, Maxime Remillard
DVD Info
Release:
Jan 25, 2005
DVD Features:
- Region (unknown)
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English
Additional Release Material:
- Audio Commentary - 1. John Duigan - Director
- Deleted Scenes
- Featurette - 1. "The Making of Head in the Clouds"
- Trailers - 1. Sony Pictures Previews
Buy It On DVD
Reviews
Even as a potboiler, this melodrama is too silly and improbable to be enjoyed as trash
Tyrone Power would have more chemistry courting Deanna Durbin in a deep coma. Theron destroys all her Monster acting cred. Cruz squeaks like a hamster huffing helium.
If John Duigan set out to make the most preposterous, over-the-top and sweeping epic he could cobble together, then he succeeded with a vengeance.
Miscast leads and ersatz emotions leave the film's soundstagey period ambiance as its most comparable asset. A handsome misfire.
The film is emotionally distanced from its audience, too stoic and stuffy. You'd never guess a film with as much sex as this one could be so stodgy, but there you go.
This would-be wartime epic romance is so intent on setting a dream-like atmosphere that it fails to develop either the situation or characters in a convincing fashion.
Amid scenes of silk-sheet sexuality are gritty historical re-enactments and half-baked histrionics, but it plays as drab melodrama and unintentional comedy.
The story becomes a long slog because Duigan doesn't define his characters and because he's determined to touch too many of the familiar '30s European bases.
It's the worst performance by an Oscar-winning actress since Catwoman.
If this film is any indication of how Hollywood is looking at history, then the turbulent events of WWII are mostly about whom you were dating.
...a well-made, visually distinctive period piece that's nevertheless a complete bore almost from start to finish.
I couldn’t help but feel that the movie’s primary reason for existing is so its stars could wear some fantastic period costumes.
The passion barely simmers, let alone rages, which may vex some viewers and will certainly confound the tabloids.
There's plenty of eye candy -- gorgeous scenery, gorgeous costumes, gorgeous people -- to keep the viewer from minding (too much) the Olympic leaps of faith required to invest in the film's plot.
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