Neil Young - Heart of Gold (2006)
Runtime: 1 hr 43 mins
Theatrical Release: Feb 10, 2006 Limited
Box Office: $1,660,898
Synopsis: In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk album PRAIRIE WIND with old friends and family members. After the successful operation and... In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk album PRAIRIE WIND with old friends and family members. After the successful operation and recovery period, he returned to Nashville that August to play at the famed Ryman Auditorium, once again gathering together friends and family for this special performance. He also brought along Oscar-winning director Jonathan Demme, who in addition to making such hits as THE SILENCE OF THE LAMBS and PHILADELPHIA has made such successful concert films as STOP MAKING SENSE (with the Talking Heads) and STOREFRONT HITCHCOCK (with Robyn Hitchcock), as well as videos for the Pretenders and Bruce Springsteen. NEIL YOUNG: HEART OF GOLD begins with brief interviews with many of the participants, but then it's all about the music. Supported by his wife, Pegi, country star Emmylou Harris, the Nashville String Machine, the Memphis Horns, the Fisk University Jubilee Singers, and musicians Ben Keith, Spooner Oldham, Rick Rosas, Grant Boatwright, and others, Young leads an ever-changing collection of musicians through nine of the ten songs from the remarkable PRAIRIE WIND, an album that poignantly deals with love and loss, life and death. Young even gets reflective at the show, telling moving stories from his past in between playing guitar, harmonica, piano, and banjo. He also delights the crowd with a long set of encores of past acoustic hits, going through his vast repertoire to find memorable songs that examine life and death as well, including "The Needle and the Damage Done," "Old Man," "Comes a Time," and Ian Tyson's "Four Strong Winds." NEIL YOUNG: HEART OF GOLD is an extraordinary document of one of the world's greatest songwriters staring death in the face--and letting the music save him. [More]
Genre: Musical & Performing Arts
Starring: Neil Young
DVD Info
Release:
Jun 13, 2006
DVD Features:
- Region 1
- Keep Case - Sensormatic
- Anamorphic Widescreen
Audio:
- (unspecified) - English
Additional Release Material:
- Bonus Footage - 1.Never-Before-Seen Footage From Rehearsal Studio
- 2. Blast From The Past Neil Young Performance (1971)
- Interview - Behind-The-Scenes Interviews with Neil Youn and Jonathan Demme
Buy It On DVD
Reviews
Shows the famed songwriter's performance and work off with reverance, and a faithfullness to the live experience.
...Even those who haven’t followed Young’s every recent move could well find his performance here surprisingly captivating.
...Neil Young has experimented with film many times, but this is by far the most accessible cinematic treatment of his music; a troubadour at the top of his game.
Young's presence, his heartfelt delivery, and the audience's fore-knowledge of his brain aneurysm add enough weight to make the film a surprisingly emotional experience
Regardless of what you call it, Heart of Gold is a revelation and one of 2006's best movies.
Demme continues to make concert films not because he's a fan, but because the concerts are inherantly cinematic and make perfect sense.
...The arrival of Neil Young: Heart of Gold should be an inspiration to music buffs and cinephiles alike.
The best moments in the film are when Ellen Kuras’s camera just sits there taking in the whole stage, the whole gorgeous ecosystem.
The beauty of the movie is in how alive it all sounds: rich and rueful and satisfying.
While his lyrics aren't complicated, both the words and the delivery reflect years of pain and anguish, particularly in seeing time pass, friends come and go.
The usual scope and spectacle of filmed concerts is done away with for a creation of intimacy.
Lets the music do the talking and that's great as far as I'm concerned: I love Young's sound.
It doesn't penetrate his craggy mystique, or make us hear his music in a new way. Instead, it's the same old choir song.
It shows the whole of Young's music as a well-worn mixture of brawn and grace. But it reveals the new Young album, Prairie Wind, as a sometimes musty echo of his 1972 acoustic-rock classic, Harvest.
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