Heaven's Gate (1980)
Average Rating: 5.3/10
Reviews Counted: 32
Fresh: 15 | Rotten: 17
No consensus yet.
Average Rating: 2.7/10
Critic Reviews: 9
Fresh: 3 | Rotten: 6
No consensus yet.
liked it
Average Rating: 3.1/5
User Ratings: 4,905
My Rating
Movie Info
A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam
Nov 19, 1980 Limited
May 15, 2001
MGM/UA
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Cast
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Kris Kristofferson
Marshal James Averill -
Christopher Walken
Nathan D. Champion -
Isabelle Huppert
Ella Watson -
Sam Waterston
Frank Canton -
John Hurt
Billy Irvine -
Brad Dourif
Mr. Eggleston -
Jeff Bridges
John H. Bridges -
Joseph Cotten
The Reverend Doctor -
Rosie Vela
Beautiful Girl -
Ronnie Hawkins
Wolcott -
Geoffrey Lewis
Trapper -
Robin Bartlett
Mrs. Lezak -
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Paul Koslo
Mayor -
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Richard Masur
Cully -
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Tom Noonan
Jake -
Terry O'Quinn
Capt. Minardi -
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Stefan Scherby
Large Man -
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Nicholas Woodeson
Small Man -
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T-Bone Burnett
Member of the Heaven's ... -
Waldemar Kalinowski
Photographer -
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Stephen Bruton
Member of the Heaven's ...
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All Critics (32) | Top Critics (9) | Fresh (16) | Rotten (18) | DVD (6)
On a purely sensory level, Heaven's Gate is overpowering.
If anything, Michael Cimino's inert disaster of a Western has gotten worse over the years ...
The longer version is impressive as long as the characters and settings remain in long shot; only when the camera gets closer do the problems start.
It really is a stinker.
The balance of director Michael Cimino's film is so confusing, so overlong at three-and-a-half hours and so ponderous that it fails to work at almost every level.
For all the abuse heaped on it, this is -- in its complete version, at least -- a majestic and lovingly detailed Western which simultaneously celebrates and undermines the myth of the American frontier.
Michael Cimino's film represented a slight return to classicism--to larger-than-life Panavision spectacle and crane shot-managed majesty, however contradicted by narrative bleakness.
Sometimes, both audiences and critics get it right the first time.
I like Heaven's Gate just fine, but I don't love it. I wish I did. It's fun to participate in the redemption of a film maudit.
With Criterion's Blu-ray release of Heaven's Gate, late New Hollywood's most famous hot mess gets a little bit hotter.
[VIDEO ESSAY] "Heaven's Gate" is an unforgettable film full of heartfelt sincerity and pointed commentary about America's bloody history of hypocrisy, greed, and racism.
Flawed but interesting piece of art in the form of an anti-Western.
Beneath the hype and the excess is a beautiful, moving, at times surprisingly subtle film that hovers precariously somewhere between greatness and folly.
This beautiful but notoriously disappointing film is one of the most overblown epic Westerns of any decade.
A second look at Cimino's 1981 epic Western suggests that it has major problems but is not a total catastrophe.
If you can get past its self-indulgences, somewhat ineffectual action scenes and other structural flaws in its filmmaking, it's really quite a remarkable film.
Maybe not the masterpiece Cimino intended, but in its 219-minute version Heaven's Gate is a very good Western, and not nearly the disaster some have unfairly labeled it.
has considerable curiosity value... as an important piece of contemporary film history and as an example of how a filmmaker got it so wrong by trying so hard to get it right.
Audience Reviews for Heaven's Gate
Super Reviewer
What the film does suffer from is too much ambition, poor pacing, a wandering narrative that's not necessarily difficult to follow, but is tedious. Those scenes, such as the opening graduation, not only droned on at a length unnecessary to make their points, but the director had spent millions of dollars on elements which were irrelevant. I understand a director wanting to take his time to tell a story and immerse the audience into his world, but fucking come on already. There have always been harsh criticisms towards this movie, many by those who may have never seen it. I will say that some of those harsh criticisms are valid.
Super Reviewer
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Foreign Titles
- La porte du paradis (FR)
- La puerta del cielo (ES)


Top Critic