If the plot is thin, at least the characters are interesting, and the performances are consistently strong.
Heights (2005)
Tomatometer
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Reviews Counted:28
Fresh:15
Rotten:13
Average Rating:5.8/10
Consensus: Yet another movie about relationships in the Big Apple, Heights is never dull thanks to a competent cast.
Rated: R [See Full Rating] for language, brief sexuality and nudity
Runtime: 1 hr 38 mins
Genre: Dramas
Theatrical Release:Jun 17, 2005 Limited
Box Office: $1,019,588
Synopsis: New York native Chris Terrio's debut feature film, HEIGHTS, is a whirlwind of outstanding acting, excellent locations, and a unique plot filled with twists and turns. Based on Amy Fox's play, the... New York native Chris Terrio's debut feature film, HEIGHTS, is a whirlwind of outstanding acting, excellent locations, and a unique plot filled with twists and turns. Based on Amy Fox's play, the film is set in the theater community of New York City, as diva Diana Lee (Glenn Close) prepares to portray Lady Macbeth on Broadway. She wants to cast Alec (Jesse Bradford) in a play she's directing, but a secret is preventing him from jumping at the chance to graduate from off-off-Broadway fringe roles. Meanwhile, Lee's daughter, Isabel (Elizabeth Banks), is getting ready to marry Jonathan (James Marsden), a young executive with a secret of his own. And Lee is unhappy that her husband (Phil Tabor) has chosen her understudy (Susan Malick) for his latest dalliance. All comes to a head as Peter (John Light), who has been hired by Vanity Fair to look into a famous photographer's sexual past, uncovers some surprising revelations. This gem of a film, taking place over just one day, features fine support by an eclectic group of stars, including Denis O'Hare, George Segal, Eric Bogosian, Isabella Rossellini, Rufus Wainwright, and Michael Murphy. But it is the radiant Close and the mesmerizing Banks who are the heart of Terrio's poignant, powerful drama. [More]
Starring: Glenn Close, Elizabeth Banks, James Marsden, Jesse Bradford
Starring: Glenn Close, Elizabeth Banks, James Marsden, Jesse Bradford, Thomas Lennon, Matt Davis, Isabella Rossellini, Susan Malick, Denis O'Hare, Rufus Wainwright, Eric Bogosian, George Segal, Michael Murphy, Andrew Howard
Director: Chris Terrio
Director: Chris Terrio
Screenwriter: Amy Fox, Chris Terrio
Producer: Richard Hawley, Ismail Merchant
Composer: Ben Butler, Martin Erskine
Studio: Sony Pictures Classics
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Reviews for Heights
None of it rings true, nor do precious affectations such as having one couple communicate with each other via walkie-talkies.
Terrio may use such accelerating devices as a handheld camera and split-screen editing, but his movie still feels as inert as the piano chords in Martin Erskine and Ben Butler's score.
Sufficiently enjoyable and intelligent to erase unpleasant memories of Merchant-Ivory's last foray into Manhattan ... it lacks the energy and vibrancy of the best films to come out of the city in the past few years.
It's duly considered, absolutely serious, self-consciously modern and, unfortunately, fairly dull.
It's all as pretentious as the arty types it seeks to chastise for not living their lives honestly.
'We don't know how to be people of passion,' [Glenn Close] exclaims to a collection of rapt acting students, early in the film. She might as well be admonishing the movie's cast.
A refreshing, adult-themed departure from the summer's cartoons and alien frights.
Heights manages to make the lives of all these beautiful people seem quite tedious. Despite their accomplishments, the only thing they seem suited for is hailing cabs.
I must confess that there were long stretches in Heights when I felt that the proceedings were a tad too 'theatrical' for my taste.
Heights is far from a perfect movie, but as a hint of Terrio's talent, it's an eminently watchable effort.
Heights is definitely worth a visit, even if it stops short of the loftiest peaks.
All very inside a particular stratum of New York, and that can be annoying for the majority of us on the outside. But this very insularity is responsible for the perversely fascinating ways the characters' lives intersect.
A week after seeing this multi-character Manhattan roundelay, you may barely remember its small, not particularly original ironies. Yet it's wholly alive while it's up there on the screen, in a way few movies are anymore.
These are not people me and you and everyone we know know -- these are 'short version' people, characters who comfort each other by quoting Shakespeare.
It is entertaining to see the lives of complex people become brutally simple all of a sudden. They build elaborate facades of belief and image, they think they know who they are and what people think of them, and suddenly they're back at the beginning.
| Tomatometer Percentage | Movie |
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| 14% 14% | The Ugly Truth |
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| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 45% 45% | Shorts |
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