Average Rating: 6.2/10
Reviews Counted: 81
Fresh: 54 | Rotten: 27
Precious to a fault, Wild Grass finds 88-year-old director Alain Resnais as joyously unconstrained as ever.
Average Rating: 5.8/10
Critic Reviews: 22
Fresh: 14 | Rotten: 8
Precious to a fault, Wild Grass finds 88-year-old director Alain Resnais as joyously unconstrained as ever.
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Average Rating: 2.9/5
User Ratings: 1,249
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Alain Resnais, one of the towering figures of the French New Wave, demonstrates he still has plenty to say in this drama based on a novel by Christian Gailly. Marguerite (Sabine Azéma) is a successful dentist with a busy practice and an offbeat hobby, flying small airplanes. One day, while running errands, Marguerite loses her wallet, and it's found by Georges (André Dussollier), a seemingly happy man with a wife, Suzanne (Anne Consigny), and two children (Vladimir Consigny and Sara Forestier).
PG, 1 hr. 44 min.
Jun 25, 2010 Wide
Oct 26, 2010
$0.4M
Sony Classic Pictures
All Critics (81) | Top Critics (22) | Fresh (54) | Rotten (27) | DVD (1)
Alain Resnais keeps sprouting marvelous artistic herbage at an age when most of his contemporaries are pushing up grass from a different perspective.
What can you say: The French sure know how to make pretty pictures.
Wild Grass might be the strangest film I've seen all year. Maybe all millennium. Is it any good? Quite frankly, I have no idea.
At 88, the legendary French director Alain Resnais has earned the right to make whatever movie he wants, even a smug deconstructionist parlor game like Wild Grass. Thankfully, this doesn't require you to watch it.
Logic-huggers won't like it, but I found Wild Grass a prankish, lyrical and captivating experience.
Wild Grass is carefree and anarchic, takes bold risks, spins in unexpected directions.
A confounding psychodrama that made me laugh in the scenes that were meant to be serious and remain mute in the scenes that were meant to be amusing.
Resnais is having fun here, possibly at the expense of audiences who demand tradition.
... a delightful reminder of the romantic streak and cinematic whimsy still in this 88-year-old cinema elder.
Director Alain Resnais? roundabout romance about missed connections and misplaced intentions is gorgeous to watch but difficult to track.
I recognize the Resnais I love in this movie, poking through here and there, a fumble-fingered god experimenting with his creation: a wobbly, lopsided world warmed by its maker's affection.
Wild Grass is about the randomness of life, and how the meaning behind arbitrary events is incomprehensible and opaque. This also describes what the experience of watching the film is like.
Wild Grass is the vision of Alain Resnais. He suggests that anything can happen in movies. Or in our imaginations.
Resnais' funky, frothy bonbon of a film is nevertheless a breathtaking sight to see.
Wild Grass is nearly the same movie as Amelie, only minus the charm and the appeal.
Wild Grass is a mess, and not in a particularly compelling way.
Camera movements, graphic matches, and strange tonal balances carry a lot of expressive weight in this story about chance encounters, creepy follow-ups, and abrupt changes of heart.
Required viewing only for anybody writing a doctoral thesis on Resnais...
At age 88, Resnais hasn't lost his capacity to confound.
A fanciful exercise in aesthetic and intellectual masturbation?
These are not likable characters, or even ones who seem to have regular contact with Planet Earth.
Resnais is as restlessly, impishly experimental as ever.
A man haltingly pursues a woman whose wallet he found.If this is the French New Wave, then I should start watching the Old Wave. In Wild Grass there is so little attention paid to good exposition that I found myself lost, wondering about the characters' relationships to each other even after the first act was a
October 10, 2011
Super Reviewer
Wild Grass has the most fantastic opening scene. We have this vivid imagery, charming narration, an endearing character, and the introduction to an intriguing plot. Everything seems set up just right to lead to something amazing. Well, the thing is, the film opens on it's highest point. While the rest it good, it just
March 22, 2010
Super Reviewer
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