With the feel, look and indulgences of a sincere, even well-made home movie, it's an awkward fit for theatres.
Hiding and Seeking (2004)
Tomatometer
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Reviews Counted:21
Fresh:19
Rotten:2
Average Rating:7.2/10
Theatrical Release:Feb 6, 2004 Limited
Synopsis: In a testimony to the power of tolerance, filmmaker Menachem Daum, his wife, and their sons travel to a Polish town where his father-in-law and his two brothers hid from the Nazis with a non-Jewish... In a testimony to the power of tolerance, filmmaker Menachem Daum, his wife, and their sons travel to a Polish town where his father-in-law and his two brothers hid from the Nazis with a non-Jewish family for 28 months. Daum proposes the journey when he becomes increasingly worried that his ultraorthodox sons, who live in Israel, have become affected by a culture of interfaith intolerance and distrust. At first, Daum's family resists his idea, unwilling to explore the country of their family's persecution. But eventually they agree to go along. His father-in-law fears for their safety, and also worries that the Muchas, the family who hid him, will demand compensation or express anger over his failure to keep in touch with them after the war. As they travel to the Mucha farm, the family visits sites important to their history--visiting relatives' graves, and giving a blessing at a former synagogue--both emblems of a once-thriving Jewish community. Later, as Daum's wife and sons tour the farm, their cynicism gives way to raw emotion. After so many years, the Muchas find the expression of gratitude they seem desperately to have desired, and the Daums tearfully piece together their history. Ultimately Daum's journey begins to heal wounds between the two families and provides a solid foundation from which to increase interfaith tolerance, within his own family and the world. [More]
Director: Menachem Daum, Oren Rudavsky
Director: Menachem Daum, Oren Rudavsky
Screenwriter: Menachem Daum, Oren Rudavsky
Producer: Menachem Daum, Oren Rudavsky
Composer: John Zorn
Studio: First Run Features
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Reviews for Hiding and Seeking
When the Daum's return from Israel, in one of the most impactful scenes, the boys sit with their maternal grandfather, an old wrinkled Jew with a short white beard, and ask him why he never tried to contact the Polish farmer who selflessly saved his life.
Explores the greater effects of the Holocaust on faith, not only in God but in other people, while revealing a single family's tale of survival.
The singular beauty of Hiding and Seeking is its delicate but relentless probing of ambiguous motivation on the one hand, and its hearteningly conciliatory spirit on the other.
"All religions today are in danger of being hijacked by extremists." This quote and theme makes H&S one of those poignant films with respect to current world events.
If the film is a humanist's vision, it is also is a genealogist's dream come true—of spiritual and historical discovery despite insurmountable odds.
What makes the film both watchable and important is the candid, untidy way it presents conflicting emotions and multiple points of view.
Ultimately, Hiding and Seeking is about finding the humanity in all people. This PBS-bound documentary lives up to that ambitious ideal.
A thoughtful documentary in which the filmmaker sets out to overcome the religious insularity of his two adult sons.
What initially has a home-movie feel evolves into a deeply moving personal essay -- one with a universal message about the importance of healing past wounds and building a hatred-free future.
Its examination of the long-lasting effects of evil on the psyche of its victims and their descendants is both thoughtful and much needed in these increasingly polarized times.
Shot on video and starring his family, Menachem Daum's latest documentary may be closer to a home movie than the usual theatrical release, but in its own quiet way, it's among the most important films you're likely to see this year.
With his filmmaking partner Oren Rudavsky, Menachem Daum is a rare documentarian willing to explore the painful subject of some Orthodox Jews' intolerance towards gentiles, and he does it in a highly personal fashion.
The documentary filmmakers Menachem Daum and Oren Rudavsky return with a provocative personal essay film centered on Mr. Daum's tendentious relationship with his two sons.
Daum has ultimately made a heartfelt and rather brave film, which probably had the potential of unsettling not just his viewers, but the inner workings of his own family mechanism.
Basically a personal essay, and the undeniably moving family saga takes over completely in the film's second half.
Tackles the significant questions of religious intolerance and of all religions in danger of being hijacked by extremists.
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