Casts intriguing characters in interesting situations but leaves them adrift in a disjointed narrative that gives away its conclusion too early.
The Holy Land (2003)
Tomatometer
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Reviews Counted:18
Fresh:10
Rotten:8
Average Rating:5.9/10
Consensus: This messy coming-of-age tale is of interest only because of where the story takes place.
Theatrical Release:Jul 11, 2003 Limited
Synopsis: Mendy (Oren Rehany) is a young man living in Bnei Brak, Israel, struggling to keep his mind focused on rabbinical school. His family is supportive of him, and they realize that adolescence involves... Mendy (Oren Rehany) is a young man living in Bnei Brak, Israel, struggling to keep his mind focused on rabbinical school. His family is supportive of him, and they realize that adolescence involves soul-searching and discontent. But his teacher sees that deep down Mendy is full of lust, and he tells Mendy to rid himself of these desires by visiting a prostitute in Tel Aviv. At a whorehouse called The Love Boat, Mendy falls head over heels in love with a Russian harlot named Sasha (Tchelet Semel)--a baby-faced rebel who secretly longs for an escape from her difficult life. Next Mendy meets Sasha's boyfriend, Mike (Saul Stein)--a gruff American who runs his own bar, a den where drunken Arabs and Jews mix merrily. Soon Mendy is working at the bar, living with Mike, and courting Sasha. Little does he know, a dark political and criminal current runs through Mike's Bar, and just behind it follows big trouble. Meanwhile, Mendy is asking himself important questions about God and life, but he's not finding any answers. Director Eitan Gorlin has crafted a multidimensional film with THE HOLY LAND. Under its coming-of-age veneer lies a darker story about sin, religion, faith, loyalty, and the fear of terrorism. Serene moments overlooking the prayer wall and the city of Jerusalem are contrasted with perturbing sexual sequences in the Love Boat. As Mendy, Rehany doesn't miss a beat, while it is Stein in the role of Mike who steals the show as the unpredictable father figure who is at times nurturing and at other times just plain scary. [More]
Starring: Saul Stein, Tchelet Semel, Albert Illuz, Arie Moskuna
Starring: Saul Stein, Tchelet Semel, Albert Illuz, Arie Moskuna, Oren Rehany
Director: Eitan Gorlin
Director: Eitan Gorlin
Screenwriter: Eitan Gorlin
Producer: Udi Yerushalmi, Ran Bogin
Studio: Cavu Releasing
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Reviews for The Holy Land
Too many characters, each too quickly drawn, hobble the film's momentum.
The movie flounders in a way that calls too much attention to itself -- and is hurt by jarring and unbelievable plot twists.
A surprisingly poignant coming-of-age tale about a Yeshiva student's soul-searching walk on the wild side.
If the film transcends its own predictably melodramatic narrative, and on at least one level it does, it is in its refusal to oversimplify the complexities of a very complex world.
[Gorlin] spares no one in his powerful, scathing and somewhat-undisciplined take on contemporary life in Israel.
The performances from Rehany and Semel resonate, and the depiction of a community, and a country, where conflict and comradeship collide in unexpected ways, is deeply revealing.
Gorlin has a keen sense of the country's geography, and this sense of place goes a long way toward making up for rather thin characterizations.
If it's also a messy story, peopled with characters who don't know whom to trust, it almost seems as if its reflecting the current state of Israeli affairs.
The things these characters say to one another, the fakery in their interactions, deflates scene after scene.
Its digressive screenplay lacks focus and momentum and is too oblique to connect many of the dots between its characters and their behavior.
Director-writer Gorlin offers little reason for the sexpot to fall for the geek -- or for Mike to befriend Mendy.
While director-screenwriter Gorlin occasionally allows the story to meander with little dramatic effect, he also provides a richly detailed sense of both place and character that infuses the film with a subtle truthfulness.
The actors and the flavorful Holy Land settings lend oomph and a level of exoticism to an oft-told tale of youthful disillusionment.
Scarcely the first Jewish text predicated on the worldly corruption of an unworldly devout, but its evocation of Israel's warring underworlds gives it additional force.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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