David Hare's screen adaptation reduces Woolf and her art to a set of feminist stances and a few plot points, without reference to style or form.
The Hours (2002)
Tomatometer
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Reviews Counted:36
Fresh:28
Rotten:8
Average Rating:7.1/10
Consensus: The movie may be a downer, but it packs an emotional wallop. Some fine acting on display here.
Rated: PG-13 [See Full Rating] for mature thematic elements, some disturbing images and brief language
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Jan 10, 2003 Wide
Box Office: $41,465,765
Synopsis: Based on the Pulitzer-prize winning novel by Michael Cunningham, THE HOURS employs Virginia Woolf's classic novel and central character, MRS. DALLOWAY, as its foundation and inspiration. Spanning... Based on the Pulitzer-prize winning novel by Michael Cunningham, THE HOURS employs Virginia Woolf's classic novel and central character, MRS. DALLOWAY, as its foundation and inspiration. Spanning three different eras, during one day, the film focuses on the parallel lives of three women joined in their depression, alienation, and search for love. Nicole Kidman, wearing a prosthetic nose, is virtually unrecognizable as the tortured writer Virginia Woolf whose ongoing battle with mental illness eventually led to her tragic suicide in 1941. The film begins with the moment of her suicide and flashes back on her life and work as she crafted her most memorable character, Clarissa Dalloway, in 1923. In 1950's California suburbia another woman, Laura Brown (Julianne Moore), struggles with alienation and depression. Trapped by her clinging young son and an adoring husband whom she does not love, the desperate woman tries to prepare for her husband's birthday but cannot stop reading MRS. DALLOWAY. Finally, in modern day Manhattan, Clarissa Vaughn (Meryl Streep), a lesbian who lives with her lover (Allison Janney) and her daughter (Claire Danes), struggles to prepare a party for her ex-husband (Ed Harris) who is dying of AIDS. Director Stephen Daltry uses beautiful overlapping editing to sew the women's interwoven stories seamlessly together. At the core of this profoundly moving film is the trio of award-winning actresses who grace the screen with their bold and awe-inspiring performances. [More]
Starring: Nicole Kidman, Meryl Streep, Julianne Moore, Toni Collette
Starring: Nicole Kidman, Meryl Streep, Julianne Moore, Toni Collette, Claire Danes, Ed Harris, Allison Janney, John C. Reilly, Eileen Atkins, Stephen Dillane
Director: Stephen Daldry
Director: Stephen Daldry
Screenwriter: David Hare
Producer: Robert Fox, Scott Rudin
Composer: Philip Glass
Studio: Paramount Pictures
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Reviews for The Hours
A compelling, moving film that respects its audience and its source material.
The acting, for the most part, is terrific, although the actors must struggle with the fact that they're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans.
The performances are so beautifully synchronized -- for which Hare, Daldry and editor Peter Boyle also deserve credit -- that it is impossible to choose one as being better than another.
Virtually humorless and extremely talky, the movie takes place during one day in each woman's life, although it moves so slowly it often feels like a week.
Fragmented and stinking vaguely of literary pretentiousness, The Hours is a stretch -- it's missing the spinal fusion that might have held it together with the kind of cinematic coherence I found sadly lacking.
Though Daldry elicits brilliant performances, particularly from Meryl Streep and Claire Danes, on balance The Hours is more pretentious than penetrating about existential despair.
Some moviegoers may interpret The Hours as waving a banner for gay life. Actually, it waves a banner for individuality in a world that does not always sanction such a stance.
You don't just love the movie for its structure but for the haunted people in it, making each other miserable, but forcing each other to face who they are.
It would be all too precious to watch except for the brilliant performances, which make it too wonderful not to watch.
Far from a bad film, and at least two of its central trio of performances provide moments of disarming grace, but don't be surprised if a whiff of self-congratulation emanates from the screen.
A viewer can forget about Woolf, not care a fig about Cunningham, and just bathe -- soak, more like -- in the voluptuous sadnesses of Mss. Woolf, Brown, and Vaughan, delineated with such refinement by Nicole Kidman, Julianne Moore, and Meryl Streep.
There's been so much talk about the fact that [Kidman] wears this prosthetic device you know so that you can't even recognize her. But beyond that it's just a really good performance.
It takes extraordinary actors to make a movie like this work, and The Hours is blessed with an abundance of them.
Latest News for The Hours
May 05, 2008:
Kidman tipped to play Dusty ![]()
Nicole Kidman has been tapped to play the bee-hived chanteuse, Dusty Springfield, in a biopic to be written by Michael Cunningham, who she worked with for The Hours. More...
June 21, 2006:
Natalie Portman Aboard "Boleyn" and "Kavalier"
The universally-adored and very cute Natalie Portman seems to have a pretty high profile pair of freshly-inked contracts. On one hand, she'll be starring in a historical drama... More...
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