House of Flying Daggers (2004)
Chinese director Zhang Yimou fuses a martial arts action-drama with a tragic romance in this elegant period piece. In the year 859 A.D., as the Tang dynasty is beset by rebellion, Leo (Andy Lau) and Jin (Takeshi Kaneshiro) are a pair of lawmen who have been given the task of ferreting out the leaders of a revolutionary faction known as the Flying Daggers. Working on a tip that members of the group are working out of a brothel called the Peony Pavilion, Jin arrives there in disguise and is introduced to a beautiful blind dancer named Mei (Zhang Ziyi). After watching Mei's performance following several drinks, Jin drunkenly attempts to have his way with her, and Leo is forced to intervene. After gaining Mei's trust in a game of skill, Leo arrests her and informs her that she'll be tortured if she doesn't tell all she knows about the Flying Daggers. Jin responds by helping Mei break out of prison, but he has an ulterior motive -- by following her, Leo and Jin are certain she'll lead them to the Flying Daggers. However, as he helps the blind girl find her way back home, Jin finds himself falling in love with Mei, and isn't certain if he's willing to betray her again. ~ Mark Deming, Rovi … More
- PG-13 (for sequences of stylized martial arts violence, and some sexuality)
- Drama , Action & Adventure , Art House & International
- Directed By:
- Andy Lau , Anita Mui
- Written By:
- Yimou Zhang
- In Theaters:
- Dec 3, 2004 Wide
- On DVD:
- Mar 29, 2005
- Box Office:
as Madam Yee
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Critic Reviews for House of Flying Daggers
Though occasionally overwrought, peerless sequences, such as the sublime flight through a bamboo forest, ensure House Of Flying Daggers is a work of real beauty.
The studied, artistic affectations may prevent this Mandarin-language art house effort from being as kinetically potent as the films it emulates, but it more than compensates by offering up deeply felt emotions played out on a grand scale more than adequa
A gorgeous film in all respects, both accessible and artistically satisfying. Excellent.
Though it is by no means explicitly political, the film expresses a tragic exasperation with the tendency of politics to subsume the rights and lives of individuals.
Wonderfully conveys how the act of loving another can be a game, a sacrifice, a ruse, a weapon, a betrayal, and, most of all, a political act.
[Zhang] adopts a stylized but more naturalistic look for the visually sumptuous wuxia spectacle House of Flying Daggers.
Assim que a história parece prestes a se entregar a um clímax emocionante, o roteiro decide mergulhar no pior dos melodramas.
I'd rather sit through a slide show of scenes from this movie than revisit 99% of the fare churned out by Hollywood
Made me long for the days when director Zhang Yimou made intimate movies with emotional depth.
A soapy love story that gallops across a snowy Autumn Hallmark card.
Les fans du genre ne peuvent qu'être ravis, les sceptiques le seront encore davantage. Un drame épique d'arts martiaux réussi n'en demeure pas moins.
It's a gorgeous celebration of movement for movement's sake, color for color's sake, and athleticism for athleticism's sake.
Visually splendid, but anyone demanding more from a film than endless battles against overwhelming odds, fought by fellows who scamper through tree tops, is in for a letdown.
If you loved "Hero" and "Crouching Tiger, Hidden Dragon," then you'll also enjoy the gorgeous "House of Flying Daggers."
Audience Reviews for House of Flying Daggers
A provincial guardsman goes undercover and breaks a blind swordswoman out of prison to discover the location of a secret society of rebellious assassins. Zhang Yimou's follow up to Hero is a similarly stunning combination of artistic visuals and beautifully choreographed martial arts, but this time he throws an epic story of unrequited love into the mix. The story's format is another favourite of Chinese cinema, that of the undercover cop with divided loyalties, but blended with mythical fantasy and star crossed lovers it plays out almost like The Departed crossed with Romeo And Juliet. This makes for a more complex character dynamic than that of Hero and therefore a more engaging story, although it does suffer similarly to the previous film in that it can feel like the plot is just a series of excuses for yet another visually glorious set piece. For that reason Zhang is probably once again guilty of style over substance, but what style it is. Addendum: I cannot recommend the Blu Ray release as the picture quality is little better than the DVD, which is a real shame considering the sheer visual beauty of the film.More
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