Hushed but scalpel-sharp drama, a movie that'll probably send men in the audience home much quieter than they arrived.
My Father and I (2002)
Tomatometer
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Reviews Counted:17
Fresh:15
Rotten:2
Average Rating:7.6/10
Consensus: How I Killed My Father is a penetrating character study of father-son ties.
Theatrical Release:Aug 23, 2002 Limited
Synopsis: Forty year-old Jean-Luc is a successful gerontologist living in the wealthy Parisian suburb of Versailles with his beautiful wife Isa. On the surface, Jean-Luc appears to have everything one could... Forty year-old Jean-Luc is a successful gerontologist living in the wealthy Parisian suburb of Versailles with his beautiful wife Isa. On the surface, Jean-Luc appears to have everything one could want from life, however the unexpected arrival of his long estranged father (Maurice) promises to shatter Jean-Luc’s facade. A quiet yet lively man, Maurice abandoned his wife and two young sons years ago, without any apparent misgivings, to practice medicine in Africa. Upon his sudden return, Maurice is quick to view his older son’s life and world with a detachment that verges on cruelty, and it isn’t long before he profoundly disrupts the fragile and truly imperfect bourgeois lives of Jean-Luc and those around him. In the face of a father who charms, disgusts and rejects him, Jean-Luc can no longer avoid confronting his own past. Secrets are revealed, and the crisis triggered by his mysterious father will alter things forever... © 2002 New Yorker Films [More]
Starring: Michel Bouquet, Charles Berling, Natacha Regnier, Amira Casar
Starring: Michel Bouquet, Charles Berling, Natacha Regnier, Amira Casar, Hubert Kounde, Karole Rocher
Director: Anne Fontaine
Director: Anne Fontaine
Screenwriter: Jacques Fieschi, Anne Fontaine
Producer: Philippe Carcassonne
Composer: Jocelyn Pook
Studio: New Yorker Films
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Reviews for My Father and I
This is a harrowing movie about how parents know where all the buttons are, and how to push them.
The film is about the relationships rather than about the outcome. And it sees those relationships, including that between the son and his wife, and the wife and the father, and between the two brothers, with incredible subtlety and acumen.
Fontaine's direction, especially her agreeably startling use of close-ups and her grace with a moving camera, creates sheerly cinematic appeal.
The murder is metaphorical in Anne Fontaine's exquisite French character study How I Killed My Father, but it's still shocking in the quietest, most well-mannered of ways.
Rarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.
The simmering strengths of How I Killed My Father owe much to its two male leads.
Viewing this underdramatized but overstated film is like watching a transcript of a therapy session brought to humdrum life by some Freudian puppet.
Demonstrates why nowadays the best thing you can say about an American movie is that it plays like a French film.
Rather less than the sum of its underventilated père-fils confrontations.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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