[An] enjoyable summer behemoth.
Hulk (2003)
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Reviews Counted:40
Fresh:22
Rotten:18
Average Rating:6/10
Consensus: Too much talking and not enough smashing.
Rated: PG-13 [See Full Rating] for sci-fi action violence, some disturbing images and brief partial nudity
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:Jun 20, 2003 Wide
Box Office: $132,122,995
Synopsis: What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments... What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments of stress and escalating violence, someone appears— an ever-present avenger, fueled by righteous anger and possessing unequalled strength—and vanquishes the antagonist, rights the wrong, settles the score. Without remorse. Without consequence. Without memory. And what if that someone…was you? After more than four decades of continuing popularity, one of Marvel Comics’ most enduring and compelling comic book creations comes to the big screen, continuing Marvel’s superlative track record of bringing its classic characters to motion picture life: Blade, X-Men, Spider-Man, Daredevil. And now, this summer, The Hulk arrives. Scientist Bruce Banner (ERIC BANA) has, to put it mildly, anger management issues. His quiet life as a brilliant researcher working with cutting edge genetic technology conceals a nearly forgotten and painful past. His ex-girlfriend and equally brilliant fellow researcher, Betty Ross The Hulk – Production Information (Academy Award. winner JENNIFER CONNELLY), has tired of Bruce’s cordoned off emotional terrain and resigns herself to remaining an interested onlooker to his quiet life. Which is exactly where Betty finds herself during one of the early trials in Banner’s groundbreaking research. A simple oversight leads to an explosive situation and Bruce makes a split-second decision; his heroic impulse saves a life and leaves him apparently unscathed—his body absorbing a normally deadly dose of gamma radiation. …And yet, something is happening. Vague morning-after effects. Blackouts. Unexpected fallout from the experiment gone awry. Banner begins to feel some kind of a presence within, a stranger who feels familiar, slightly dangerous and yet darkly attractive. All the while, a massive creature—a rampaging, impossibly strong being who comes to be known as the Hulk—continues its sporadic appearances, cutting a swath of destruction, leaving Banner’s lab in shambles and his house with blown out walls. The military is engaged, led by Betty’s father, General “Thunderbolt” Ross (SAM ELLIOTT), along with rival researcher Glenn Talbot (JOSH LUCAS), and both personal vendettas and familial ties come into play, heightening the danger and raising the stakes in the escalating emergency. Betty Ross has her theories, and she knows the shadowy figure lurking in the background, Bruce’s father, David (NICK NOLTE), is somehow connected. She may be the only one who understands the link between scientist and the Hulk, but her efforts to stop the military threat, deploying every weapon in its attempt to capture the monster, may be too late to save both man and creature. Acclaimed Oscar.-winning filmmaker ANG LEE (Crouching Tiger, Hidden Dragon) turns his masterful eye to adapting the classic Marvel Comics character for the big screen. Setting out to faithfully transfer the Hulk comic book character from four-color paneled page to motion picture screen, Lee combines all the elements of a blockbuster visual effects-intensive Super Hero. movie with the brooding romance and tragedy of Universal’s classic horror films. Staying true to the early subversive spirit of the Hulk as envisioned by its creators (Stan Lee and Jack Kirby) while also tuning the tale to current dangerous times, Lee presents a portrait of a man at war with himself and the world, both a Super Hero and a monster, a means of wish fulfillment and a nightmare. Committed to bringing the Hulk to authentic life, director Lee and his effects teams logged countless hours to assure a creature true to the essence of Kirby’s powerful seminal artwork and Lee’s mythic stories. Designers and artists returned to the original Hulk character conceptions to honor the Marvel traditions and place the creature in a motion picture world—grounded in reality, dictated by time-honored practice and colored by comic book convention. Universal Pictures Presents, In Association with Marvel Enterprises, A Valhalla Motion Pictures / Good Machine Production of An Ang Lee Film: The Hulk, starring Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas and Nick Nolte. Music is by Danny Elfman. The costume designer is Marit Allen. The editor is Tim Squyres, A.C.E. The production designer is Rick Heinrichs and the director of photography is Frederick Elmes, A.S.C. Executive producers are Stan Lee and Kevin Feige. The film is produced by Gale Anne Hurd, Avi Arad, James Schamus and Larry Franco. The story is by James Schamus, with screenplay by John Turman and Michael France and James Schamus. The Hulk is directed by Ang Lee. The film is distributed worldwide by Universal Pictures. ©2003 Universal Pictures. www.thehulk.com [More]
Starring: Eric Bana, Jennifer Connelly, Sam Elliott, Joshua Lucas
Starring: Eric Bana, Jennifer Connelly, Sam Elliott, Joshua Lucas, Nick Nolte
Director: Ang Lee
Director: Ang Lee
Screenwriter: Michael France, John Turman, James Schamus
Producer: Gale Anne Hurd, Avi Arad, Larry J. Franco, James Schamus
Composer: Danny Elfman
Studio: Universal Pictures
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Reviews for Hulk
An interesting effort to give one of the staples of mass entertainment something extra in the way of insight and feeling.
Big, dopey and crammed with special effects that take the breath away.
Despite the profusion of computer-generated effects, which rousingly bring the green guy to life, I often felt, for better and for worse, that I was watching a comic-book movie reconceived as a piece of serious mythmaking.
Are comic books art? Maybe, but this leaden, pretentious flick about Marvel Comics' big green id, from the overrated Ang Lee, is just schlock art for the NPR set.
Lee tries to spruce it all up with heavy use of split-screen, which is sometimes clever and sometimes distracting. But nothing can distract us from the overriding reality that too much of Hulk is a sulk.
A comic book movie as smart and expressive as the medium that spawned it.
A thinking person's movie with precious little for anyone to think about, except for a green giant smashing things.
This green-eyed monster may be the perfect symbol of an angry time. But he's an impossible hero to cheer.
This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since The Grinch.
The filmmakers said it was going to be smart -- really smart -- like all of Lee's movies. Instead, it's big, dumb and fun.
Hulk may not jump as high as some had hoped, but it still packs a solid wallop.
Hulk is hardly a masterpiece. But it is certainly one of the most psychologically ambitious movies ever unleashed on the summer-movie crowd.
Schamus and his fellow screenwriters have taken the most pompous elements of superhero comics -- the humorless archetypes, the italicized declamations -- and inflated them until they nearly burst with the strain.
Ang has the arty smarts, Stan has the pop wiles -- now if only they could get on the same page.
The Hulk is a seriously repressed movie, and like its hero-victim, Bruce Banner, it doesn't know what it wants to be: serious and thoughtful, or big green money-making machine.
I can't say that The Hulk is my favorite comic-book movie or that it moved me, but I admired Lee's inventiveness, even when his movie wasn't as much fun as I expected it to be.
Ang Lee has boldly taken the broad outlines of a comic book story and transformed them to his own purposes; this is a comic book movie for people who wouldn't be caught dead at a comic book movie.
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