I live in fear is not typical of Kurosawa's work but it is probably one of his most important films. A reaction to and a social commentary on Hiroshima, a subject avoided at the time, Kurosawa opened up Japan's usual conservative attitude and lead debate on societies fear and anxiety and in doing so built bridges of
understanding with the western world. Mifune is brilliant in a role unfamiliar and unusual for him, and although the film is one of Kurosawa's least popular, it just might be one of his greatest performances. He is joined by the ever brilliant Shimura once again, although he really doesn't get enough screen time for my liking. Not Kurosawa's most exciting film but he is one of the greatest filmmakers of all time, so that doesn't mean much, this is still an amazing and important piece of cinema.
performances. He is joined by the ever brilliant Shimura once again, although he really doesn't get enough screen time for my liking. Not Kurosawa's most exciting film but he is one of the greatest filmmakers of all time, so that doesn't mean much, this is still an amazing and important piece of cinema. I live in fear is not typical of Kurosawa's work but it is probably one of his most important films. A reaction to and a social commentary on Hiroshima, a subject avoided at the time, Kurosawa opened up Japan's usual conservative attitude and lead debate on societies fear and anxiety and in doing so built bridges of understanding with the western world. Mifune is brilliant in a role unfamiliar and unusual for him, and although the film is one of Kurosawa's least popular, it just might be one of his greatest performances. He is joined by the ever brilliant Shimura once again, although he really doesn't get enough screen time for my liking. Not Kurosawa's most exciting film but he is one of the greatest filmmakers of all time, so that doesn't mean much, this is still an amazing and important piece of cinema.
?If the birds and the animals knew what we know, they would leave?
October 23, 2009
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