—— Hercules Jul 25
—— Lucy Jul 25
—— And So It Goes Jul 25
—— The Fluffy Movie Jul 25
90% A Most Wanted Man Jul 25

Top Box Office

91% Dawn Of The Planet Of The Apes $36.3M
55% The Purge: Anarchy $29.8M
45% Planes: Fire And Rescue $17.5M
20% Sex Tape $14.6M
17% Transformers: Age of Extinction $9.8M
23% Tammy $7.4M
85% 22 Jump Street $4.7M
92% How to Train Your Dragon 2 $3.9M
48% Earth to Echo $3.3M
49% Maleficent $3.2M

Coming Soon

—— Guardians of the Galaxy Aug 01
—— Teenage Mutant Ninja Turtles Aug 08
—— Step Up: All In Aug 08
—— Let's Be Cops Aug 13
—— The Expendables 3 Aug 15

New Episodes Tonight

73% Chasing Life: Season 1
—— Covert Affairs: Season 5
88% Finding Carter: Season 1
75% The Hotwives of Orlando: Season 1
67% Matador: Season 1
—— Perception: Season 3
—— Pretty Little Liars: Season 5
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 6
—— Sullivan & Son: Season 3
57% Tyrant: Season 1

Discuss Last Night's Shows

29% Backpackers: Season 1
—— The Fosters: Season 2
—— Hit the Floor: Season 2
—— Longmire: Season 3
—— Major Crimes: Season 3
—— Mistresses: Season 2
73% Murder in the First: Season 1
—— Seed: Season 2
—— Switched at Birth: Season 3
67% Teen Wolf: Season 4
62% Under the Dome: Season 2

Certified Fresh TV

85% The Bridge (FX): Season 2
83% Extant: Season 1
79% Halt and Catch Fire: Season 1
100% Masters of Sex: Season 2
73% Murder in the First: Season 1
97% Orange is the New Black: Season 2
97% Orphan Black: Season 2
82% Satisfaction: Season 1
86% The Strain: Season 1
85% Welcome to Sweden: Season 1
76% You're the Worst: Season 1

I Love Your Work Reviews

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Robert Davis
Paste Magazine

It's an intriguing mish-mash, a meta-textual stew that Goldberg, unfortunately, paints with a big, thick brush and then underlines with fat charcoal pencils.

Full Review Source: Paste Magazine | Original Score: 2.5/5

June 5, 2008
Christopher Campbell

So many questions are raised from both sides of the celebrity fence that the film could only have been made by someone as on-the-edge of stardom as [Goldberg].

Full Review Source: Cinematical | Original Score: 3/5

September 18, 2007
David Cornelius

It's too busy trying to be clever that it forgets to give us anything that's actually interesting.

Full Review Source: | Original Score: 2/5

March 23, 2006
Jules Brenner
Cinema Signals

a pointless stew

Full Review Source: Cinema Signals | Original Score: 2.5/5

January 1, 2006
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

What is so dreadful about unearned fame and undeserved riches that warrants this faux-Antonioni despair?

Full Review Source: Newark Star-Ledger | Original Score: 1.5/4

December 2, 2005
Kyle Smith
New York Post
Top Critic IconTop Critic

At last, Adam Goldberg has given us his 8 1/2. It's an ambitious rumination on fame, reality, love, loss and regret that falls so far short, he should have called it 2 1/8.

| Original Score: .5/4

December 2, 2005
Elizabeth Weitzman
New York Daily News
Top Critic IconTop Critic

Working with a self-consciously urgent, neo-noir style, Goldberg seems intent on expressing a meaningful message of some kind. It's too bad, then, that he has chosen such a shallow subject.

Full Review Source: New York Daily News | Original Score: 2/4

December 2, 2005
Manohla Dargis
New York Times
Top Critic IconTop Critic

Directed by the young actor Adam Goldberg, "I Love Your Work is an attempt to say something interesting about modern celebrity.

| Original Score: 2/5

December 1, 2005
Jan Stuart
Top Critic IconTop Critic

I Love Your Work gets the dissonance of the celebrity lifestyle to a T. But the self-reflexive strategy of Goldberg and co-writer Adrian Butchart is too brainy by half.

Full Review Source: Newsday | Original Score: 2.5/4

December 1, 2005
Nick Schager
Slant Magazine

When Ricci's dreamgirl, finally fed up with Gray's insanity, chastises him with "You're obvious," it's a sentiment also applicable to the film itself.

Full Review Source: Slant Magazine | Original Score: 1.5/4

December 1, 2005
Ron Wilkinson
Monsters and Critics

An edgeless one man show by Ribisi that acts like being insane.

| Original Score: 6/10

December 1, 2005
Michael Atkinson
Village Voice
Top Critic IconTop Critic

I Love Your Work promises with its very title to be self-conscious, self-deprecating, self-glorifying, and self-mockingly witty.

Full Review Source: Village Voice

November 29, 2005
Brent Simon
Now Playing Magazine

A jumbled parabola of self-deceptions, head trips and feints -- colorful and stimulating but not completely satisfying.

Full Review Source: Now Playing Magazine | Original Score: C

November 17, 2005
Ross Anthony
Hollywood Report Card

A crisp impressionistic look at stardom while pointing out the allure of being common. Very strong in direction, script and acting, but struggles to finish.

Full Review Source: Hollywood Report Card | Original Score: 2/4

November 5, 2005
Dan Fienberg

Goldberg takes his message really seriously, abandoning a satirical edge early on, as if he were the first person to ever discover that celebrity is hollow.

Full Review Source: | Original Score: 2.5/4

November 5, 2005
Kim Morgan

Maybe the point is to be bewildered. That would be fine had the film created any resonant power. Instead, we're merely bemused.

| Original Score: 2/4

November 4, 2005
Kevin Crust
Los Angeles Times
Top Critic IconTop Critic

I Love Your Work has its rewards for those up to the challenge of tackling its nonlinear structure and brooding nature.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

November 4, 2005

E! Online

Goldberg's experiment is always interesting, even when it stumbles.

Full Review Source: E! Online | Original Score: B-

November 4, 2005
Kevin Biggers

You know you're in trouble when a movie arrives in theatres in the fall of 2005 right after its premiere at the Toronto International Film Festival in the fall of 2003.

Full Review Source:

November 3, 2005
Chuck Wilson
L.A. Weekly
Top Critic IconTop Critic

The filmmaking is actually quite polished, and Ribisi is fascinating to watch -- his fluttery weirdness has never seemed more grounded and resonant, turning Gray's self-destructive egoism into near tragedy.

Full Review Source: L.A. Weekly

November 3, 2005
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