Opening

60% The Maze Runner Sep 19
53% This Is Where I Leave You Sep 19
—— A Walk Among the Tombstones Sep 19
81% Tracks Sep 19
92% The Guest Sep 17

Top Box Office

14% No Good Deed $24.5M
73% Dolphin Tale 2 $16.6M
92% Guardians of the Galaxy $8.0M
19% Teenage Mutant Ninja Turtles $4.8M
20% Let's Be Cops $4.3M
88% The Drop $4.2M
38% If I Stay $4.0M
36% The November Man $2.8M
33% The Giver $2.6M
67% The Hundred-Foot Journey $2.5M

Coming Soon

68% The Equalizer Sep 26
69% The Boxtrolls Sep 26
85% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

New Episodes Tonight

71% Dallas: Season 3
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Unforgettable: Season 2
—— Witches of East End: Season 2

Certified Fresh TV

87% Boardwalk Empire: Season 5
86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
79% You're the Worst: Season 1

Identity Reviews

Todd McCarthy
Variety
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June 11, 2008
Geoff Andrew
Time Out
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February 9, 2006
Rex Reed
New York Observer
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A lame-brained nut job in search of an identity of its own.

Full Review Source: New York Observer

May 16, 2003
Dennis Lim
Village Voice
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A nihilist project in Usual Suspects mode: Nothing is as it seems, because nothing matters in the least.

Full Review Source: Village Voice

April 29, 2003
Richard Roeper
Ebert & Roeper
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[A] very well made horror thriller.

Full Review Source: Ebert & Roeper

April 28, 2003
Geoff Pevere
Toronto Star
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Assorted examples of artificially flavoured humanity ... proceed to panic, bicker and run with the customary perversity that characters in situations like this do toward their gory destinies.

Full Review Source: Toronto Star | Original Score: 2/5

April 25, 2003
Moira MacDonald
Seattle Times
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Deserves credit for at least trying something fresh in the psychological-thriller realm, and for the mood of goofball creepiness it creates.

| Original Score: 2.5/4

April 25, 2003
Mick LaSalle
San Francisco Chronicle
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More than an entertaining thriller. It's a highly original one.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

April 25, 2003
Jan Stuart
Newsday
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It can make for an exasperating ride, since the filmmakers fudge the line between earnest manipulation and flip self-mockery.

Full Review Source: Newsday | Original Score: 2/4

April 25, 2003
Stephen Whitty
Newark Star-Ledger
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An over-directed slasher picture full of arty tricks and slumming stars.

Full Review Source: Newark Star-Ledger

April 25, 2003
Jack Mathews
New York Daily News
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I think it's a fascinating movie that, if you are able to make the leap it asks of you at about the three-quarter mark, will give you something to think and talk about for days.

Full Review Source: New York Daily News | Original Score: 3/4

April 25, 2003
Eric Harrison
Houston Chronicle
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This isn't a story: It's a catalog of gruesome murders.

Full Review Source: Houston Chronicle | Original Score: C+

April 25, 2003
Rick Groen
Globe and Mail
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Opens with its mind nicely intact, suffers a major crisis about 30 minutes in, then bad turns to worse.

Full Review Source: Globe and Mail | Original Score: 2/4

April 25, 2003
Tom Long
Detroit News
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It isn't a standard slasher flick, but it impersonates one for so long you want to slap it around.

| Original Score: C+

April 25, 2003
Ricardo Baca
Denver Post
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A film that is thiiiis close to nailing the whole suspense/thriller/ serial-killer genre.

Full Review Source: Denver Post | Original Score: 2.5/4

April 25, 2003
Wesley Morris
Boston Globe
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It's an exasperating exercise in B-movie hokum and screenwriter's gimmickry.

Full Review Source: Boston Globe | Original Score: 2/4

April 25, 2003

St. Louis Post-Dispatch
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April 25, 2003
Robert Denerstein
Denver Rocky Mountain News
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Manufactured shock replaces gnawing fear and only meager attempts are made to liberate us from high-concept hell.

| Original Score: C+

April 25, 2003
Megan Lehmann
New York Post
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A genuinely cunning psychological thriller.

| Original Score: 3/4

April 25, 2003
A.O. Scott
New York Times
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The apparent premise, creaky though it may be, holds ample opportunity for suspense and second-guessing, and Mr. Mangold handles the revelations and reversals of Michael Cooney's script with nerve-racking aplomb.

Full Review Source: New York Times | Original Score: 3/5

April 25, 2003
Andrew O'Hehir
Salon.com
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A wicked scorpion with a double sting in its tail.

Full Review Source: Salon.com

April 25, 2003
Desson Thomson
Washington Post
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It's not art, but it's fun artfully done.

April 25, 2003
Stephen Hunter
Washington Post
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Give the film the credit it earns for playing the game well and truly.

April 25, 2003
Roger Ebert
Chicago Sun-Times
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The director, James Mangold, and the writer, Michael Cooney, play fair, sort of, and once you understand their thinking you can trace back through the movie and see that they never cheated, exactly.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

April 25, 2003
Claudia Puig
USA Today
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With moments of mind-bending creepiness, the film has potential, but eventually it devolves into merely a head-scratcher.

Full Review Source: USA Today | Original Score: 2.5/4

April 24, 2003
Bill Muller
Arizona Republic
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It's a fun, raucous ride, with more than its share of chills and thrills.

| Original Score: 4/5

April 24, 2003
Kevin Thomas
Los Angeles Times
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Throughout, the film teeters tantalizingly on the preposterous, but James Mangold's astute direction and Michael Cooney's carefully thought-out script keep it from sliding over the edge.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

April 24, 2003
Philip Wuntch
Dallas Morning News
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Effective, well-crafted chiller.

Full Review Source: Dallas Morning News | Original Score: B

April 24, 2003
Glenn Lovell
San Jose Mercury News
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Takes the 'nothing is what it seems...' conceit to clever new extremes.

| Original Score: 3.5/4

April 24, 2003
Rene Rodriguez
Miami Herald
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Identity doesn't outfox the audience; it just makes us feel like suckers.

Full Review Source: Miami Herald | Original Score: 2/4

April 24, 2003
Terry Lawson
Detroit Free Press
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80 minutes of cliches, overacting and hackneyed coincidences.

Full Review Source: Detroit Free Press | Original Score: 1/4

April 24, 2003
Steven Rea
Philadelphia Inquirer
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An effectively scary, psychological variation on Agatha Christie's And Then There Were None.

April 24, 2003
Roger Moore
Orlando Sentinel
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Adds an interesting shot of intelligence to a genre that hasn't seen any in many a year.

| Original Score: 4/5

April 24, 2003
Jeff Strickler
Minneapolis Star Tribune
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It starts as Agatha Christie but mutates into Stephen King.

Full Review Source: Minneapolis Star Tribune | Original Score: 2.5/4

April 24, 2003
John Powers
L.A. Weekly
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Enjoyably swervy.

Full Review Source: L.A. Weekly

April 24, 2003
Michael Wilmington
Chicago Tribune
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It's a relentlessly tricky and scary show, with a bit more plot and humanity than this kind of modern Grand Guignol usually gives us.

Full Review Source: Chicago Tribune | Original Score: 3/4

April 24, 2003
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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Identity may be a one-trick pony, but it's quite a trick.

Full Review Source: Atlanta Journal-Constitution | Original Score: B

April 24, 2003
Lisa Schwarzbaum
Entertainment Weekly
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Delighting in his own considerable cleverness and cineast's knowledge of movie history, Mangold shuffles the elements like a three-card-monte pro.

Full Review Source: Entertainment Weekly | Original Score: B-

April 23, 2003
Kirk Honeycutt
Hollywood Reporter
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There is a great spoof comedy here, but, unfortunately, writer Michael Cooney and director James Mangold play one of the most ludicrous screenplays in recent memory in earnest.

April 21, 2003
James Berardinelli
ReelViews
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What starts out as a seemingly-routine excursion into genre clichés emerges into a more complex and satisfying arena than most viewers will anticipate.

Full Review Source: ReelViews | Original Score: 3.5/4

April 20, 2003
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