You don’t have to have a stylistic device in every single shot.
Idlewild (2006)
Tomatometer
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Reviews Counted:33
Fresh:15
Rotten:18
Average Rating:5.9/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Rated: R [See Full Rating] for violence, sexuality, nudity and language.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:Aug 25, 2006 Wide
Box Office: $12,549,485
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
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Reviews for Idlewild
Shakespeare has been quoted many, many times over the past 400 or so years, but never to such empty purpose as in the inchoate, self-indulgent musical drama Idlewild
By jumbling genres, fashions, music and locales, and riddling bullets through much of it, Idlewild ends up feeling disjointed and disquieting.
A series of pretty-good pop videos wrapped around a confusing tale of Chitlin' Circuit striving and conniving.
Idlewild comes alive only during the production numbers, which look and feel more like music videos than music as storytelling.
[The Outkast duo] are, as might be expected, terrific in the musical numbers and painfully self-conscious in the dramatic sequences.
The OutKast epic Idlewild is an amazingly misguided film, a muddled attempt to create an old school Hollywood musical showcasing the unique hip-hop duo.
It's basically a series of music videos -- a few quite good -- strung together over two long hours and loosely connected by a weak story line loaded with anachronisms.
The first film from OutKast iconoclasts André Benjamin (André 3000) and Antwan A. Patton (Big Boi) has all the wit and creativity of their music videos. And here's the bad news: That makes it at least an hour too long.
OutKast's much-ballyhooed Prohibition-era musical is a dense, confusing jumble of old-school and new-school, gangster and gangsta, that never pauses long enough to tell a cogent story.
Those who do not succumb to the movie's fantasy will dismiss it as an extended music video. That's not an unfair criticism, but it doesn't make the film any less enjoyable.
Welcome to Church, the speakeasy in the often vivacious, sometimes silly, musical Idlewild.
Despite some visual sparkle and musical razzle-dazzle, Idlewild is a messy movie.
In the end, the saddest thing about Idlewild is that all of the pieces were present for a very good film.
A sludgy, badly photographed, poorly edited bungle whose musical numbers never pop.
Between the gangsters and the showgirls, the gorgeous costumes and the wowser production numbers, Idlewild has just about everything a popular entertainment can offer. It also has a soul, and that comes free with the price of a ticket.
The joint doesn't jump in the OutKast musical Idlewild; it just twitches and stumbles.
Idlewild is an engaging, original movie musical. It turns all sorts of pop cultural icons on their heads and delivers a smart commentary on race and class in 20th Century America.
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