What (director Neil) Burger and his colleagues have done is to entrance us with a richly acted, beautifully produced story.
The Illusionist (2006)
Tomatometer
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Reviews Counted:35
Fresh:30
Rotten:5
Average Rating:7.3/10
Consensus: The Illusionist is an engrossing, well-crafted story of mystery, magic and intrigue that is certain to enchant, if not hypnotize, audiences.
Theatrical Release:Aug 18, 2006 Limited
Box Office: $39,680,302
Synopsis: In a world where nothing is as it appears, an illusionist and a police inspector face off in a challenge of wills that attempts to determine where reality ends and magic begins...all the while... In a world where nothing is as it appears, an illusionist and a police inspector face off in a challenge of wills that attempts to determine where reality ends and magic begins...all the while blurring the line between power and corruption, love and devotion, vigilance and mania and ultimately, life and death. A supernatural mystery that combines romance, politics and magic, The Illusionist is the latest film from the producers of the Oscar® winners Crash and Sideways. The film stars Academy Award® nominees Edward Norton (Fight Club, American History X) and Paul Giamatti (Cinderella Man, Sideways) as two men pitted against each other in a battle of wits. Norton plays a mysterious stage magician, Eisenheim, who bends nature's laws to his will in front of awestruck crowds. Giamatti co-stars as Vienna's shrewd Chief Inspector Uhl, a man committed to uphold the law and for whom magic holds no place in his ordered world. Jessica Biel (Elizabethtown) shares the screen as the beautiful and enigmatic Sophie von Teschen, who finds her future inexorably altered when she encounters the man called Eisenheim, and Eisenheim comes dangerously close to unlocking the dark secret of the monarchy that she holds. When Eisenheim begins to perform his astounding illusions in Vienna, word quickly spreads of his otherworldly powers...even reaching the ears of one of Europe's most powerful and pragmatic men, Crown Prince Leopold (Rufus Sewell, Dark City). Certain that the illusionist is nothing more than an accomplished fraud, Leopold attends one of Eisenheim's shows, convinced that he can debunk him during the performance. But when the Prince's beautiful fiancé and companion, Sophie von Teschen, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods-and a dormant love affair is rekindled. With Eisenheim and Leopold vying for Sophie's affection, it quickly becomes apparent that both will go to any length to claim and keep her love. As the clandestine romance continues, Uhl is charged by Leopold to intensify his efforts to expose Eisenheim, even while the magician gains a devoted and vocal public following. With Uhl doggedly searching for the reasons and the man behind the trickery, Eisenheim prepares to execute his greatest illusion yet. The Yari Film Group presents a Michael London/Koppelman Levien Production, In Association with Contagious Pictures, of A Film by Neil Burger: The Illusionist. The film is written and directed by Neil Burger-who received acclaim and award recognition for his debut feature, 2002's Interview with the Assassin-and is based on Pulitzer Prize-winning author Steven Millhauser's short story "Eisenheim the Illusionist." It stars Edward Norton, Paul Giamatti, Jessica Biel and Rufus Sewell. The Illusionist is produced by Michael London (Sideways), Brian Koppelman (Interview with the Assassin), David Levien (Interview with the Assassin) and Bob Yari (Crash), and features top-notch production values from a team of superlative artisans, including: director of photography Dick Pope BSC (Topsy-Turvy); editor Naomi Geraghty (Hotel Rwanda); production designer Ondrej Nekvasil (Emmy winner for TV's Anne Frank: The Whole Story); costume designer Ngila Dickson (Oscar®-winner for The Lord of the Rings: The Return of the King); and composer Philip Glass (Academy Award®-nominated for The Hours). Casting is by Deborah Aquila ASC, Tricia Wood ASC and Nina Gold. The executive producer is Jane Garnett, with Tom Karnowski, Matthew Stillman and David Minkowski serving as co-producers. [More]
Starring: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell
Starring: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell, Eddie Marsan, Jake Wood, Tom Fisher, Aaron Johnson, Eleanor Tomlinson
Director: Neil Burger
Director: Neil Burger
Producer: Michael London
Screenwriter: Brian Koppelman, David Levien
Producer: Cathy Schulman, Bob Yari
Composer: Philip Glass
Studio: Yari Film Group
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Reviews for The Illusionist
The story may be less than credible, but the performances are mostly good, and Giamatti makes an especially strong showing.
Because the plot spins out in such a smooth fashion and the acting is so darned good, we're distracted from the film's flaws.
The Illusionist has several tricks up its sleeve, not the least of which is Edward Norton's impeccable performance as a master magician in turn-of-the-century Vienna.
The ludicrous climax, full of run-that-by-me-again flashbacks delivered at Keystone-cop speed -- oh, if only he could make that disappear.
The ending dispels a lot of the magic, but the silent-movie palette is gorgeous, and the film is worth seeing for the inspired hamming of Paul Giamatti as Vienna’s chief inspector.
You might not buy all the twists and turns here, but like a magician’s act, it’s more fun to go along with it and not to question things too much.
The alluring and absorbing Illusionist proves that a film need not be mindless fluff or ridiculously far-fetched to qualify as escapist entertainment.
This terrific romantic thriller, set in 1900 Vienna, is an outstanding example of frugality in the service of art.
The Illusionist is a rich and elegant film, full of sly, devious characters with complicated motives.
The love story is corny, the pacing is slow and some cast members are out of their element (yes, that means Biel), but the film has a cer tain cryptic charm.
This is the kind of thoughtful, poetic, lush and old-fashioned (in the best sense of the word) film that rarely gets made anymore -- one that immerses us in a bygone world for a couple of hours.
The effects are silly, and the heavy-handed and anachronistic adaptation seems as if it's brought along the signposts to allegory but then left the point at home.
For a film about magic, The Illusionist doesn't depend on tricks up its sleeve. It's more about artfulness, from handsome period details and Philip Glass' urgent score to an intriguing and vibrant plot.
The pleasure of The Illusionist lies in its luxuriant belief in old-fashioned verities like character and storytelling; it's as thin as a sheet of marbled endpaper and as cleanly crafted.
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