Why did they go ahead anyway? Did they believe that an immense Capote audience was hungering for two films about him?
Infamous (2006)
Tomatometer
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Reviews Counted:36
Fresh:26
Rotten:10
Average Rating:6.7/10
Consensus: Though comparisons with last year's Capote may be inevitable, Infamous takes a different angle in its depiction of the author, and stands up well enough on its own.
Rated: R [See Full Rating] for language, violence and some sexuality
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Oct 13, 2006 Limited
Box Office: $1,093,888
Synopsis: Hollywood studios are notorious for liberally borrowing ideas from each other, with the resulting clutch of similarly-themed films often bewildering the public as they try to decide which movie to... Hollywood studios are notorious for liberally borrowing ideas from each other, with the resulting clutch of similarly-themed films often bewildering the public as they try to decide which movie to go and see. In 2005 Bennett Miller directed CAPOTE, an Oscar-winning dramatization of Truman Capote's traumatic experiences writing the celebrated novel IN COLD BLOOD. In 2006 Douglas McGrath (COMPANY MAN) directed INFAMOUS, a movie that follows exactly the same premise. Although it's difficult to see why such a story would need to be immortalized in celluloid for a second time, McGrath does throw in a few tricks to help separate the two films. Talking head interviews with some of Capote's contemporaries, such as Gore Vidal and Babe Paley, are used, and the movie has a lighter--almost comedic at times--feel to it than Miller's movie. The basic premise of INFAMOUS is exactly the same as that of CAPOTE, so we witness Toby Jones's Capote traveling from New York to Kansas, settling into the town, interviewing the murderers, and developing an obsession with one of them--Perry Smith (Daniel Craig). Despite the similarities, salvation can be found in the performance of Jones, who lights up the screen with a performance that closely rivals Philip Seymour Hoffman's turn as the infamous author. Other notable appearances come from Sandra Bullock, who just about manages to nail Harper Lee; Sigourney Weaver and Isabella Rossellini, who both camp up their roles as socialites; Jeff Daniels as the detective who befriends Capote; and Gwyneth Paltrow, who makes a brief appearance as the singer Peggy Lee. [More]
Starring: Toby Jones, Sandra Bullock, Daniel Craig, Gwyneth Paltrow
Starring: Toby Jones, Sandra Bullock, Daniel Craig, Gwyneth Paltrow, Sigourney Weaver, Jeff Daniels, Isabella Rossellini, Hope Davis
Director: Douglas McGrath
Director: Douglas McGrath
Producer: Jocelyn Hayes, Sidney Kimmel, Christine Vachon, Anne Walker-McBay
Composer: Rachel Portman
Studio: Warner Independent
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Reviews for Infamous
Two good films about one subject [are] much better than a lot of bad films about different things.
Jones gets everything -- the gestures, the generosity, the mean streak, the bending of the ear to recitals of woe, whether across a lunch table or a prison cell.
The film benefits from three splendid performances: Toby Jones as Capote, an aggressively gay elf exuding a tosspot charm; Sandra Bullock as Nelle Harper Lee, a novelist who uses spoken words with quiet precision, and Daniel Craig as Perry.
No matter how noble the competitor, coming in second in a contest always feels like a lesser effort.
[With Hoffman], it was easy to see Capote as someone truly extraordinary, perhaps a genius. Toby Jones... doesn't have that quality, though he does offer something almost as good: Watching him it's easy to believe he's really Truman Capote.
Even judged on its own, though, McGrath's movie feels slightly misjudged.
Jones wears the title role so well that you simply forget he's acting, which wasn't true of Philip Seymour Hoffman last year when he gave a performance that deserved its Oscar. If Jones fails to pick up an Oscar nomination, he should pitch a hissy.
British actor Toby Jones is so physically right in the role, you'll think Capote is playing himself.
When Infamous is on, it's really on. It's much more celebratory of Capote's unequaled, larger-than-life spirit, which can be a joy to watch.
Unlike its coolly detached brother, Infamous is right in your face, as amusing in flashes, and annoying for stretches, as any shallow little tyke.
Infamous is a well-made movie about a fascinating character, and if it weren't essentially a repeat of last year's Capote it would likely be one of the hot flicks in filmdom right now.
McGrath focuses on Capote's own divided soul, where massive insecurity co-exists with great courage.
In the early going, Infamous can be generously entertaining and quite funny. But McGrath gradually blends serious ingredients into this comic souffle of chatter and gloss.
What begins as a mischievous frolic gradually becomes a sad tale about a sad man.
Ultimately, as a cautionary tale about fictionalized journalism, it's a clear case of the pot calling the kettle black.
Rarely do battling productions -- these two were shot mere months apart -- result in equally valid films, but that's the case here.
The picture gives off a tone of arch stylization that plays as artificial, overwrought and off-putting.
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