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Intacto (2002)
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Reviews Counted:20
Fresh:12
Rotten:8
Average Rating:5.7/10
Consensus: The plot gimmick is original, bolstered by stylishly intriguing setpieces.
Rated: R [See Full Rating] for language, some violence and brief nudity
Runtime: 1 hr 49 mins
Genre: Foreign Films
Theatrical Release:Dec 13, 2002 Limited
Box Office: $145,177
Synopsis: With INTACTO, from director Juan Carlos Fresnadillo, a group of people who have "the gift" of being extremely lucky play into a suspenseful world of gambling and superstition. The film begins and... With INTACTO, from director Juan Carlos Fresnadillo, a group of people who have "the gift" of being extremely lucky play into a suspenseful world of gambling and superstition. The film begins and ends in the Canary Islands, where ringleader Sam (Max von Sydow), a Holocaust survivor, runs a casino. His right-hand man Federico (Eusebio Poncela) is stripped of "the gift" in a terrifying exchange that Federico sees as worse than death: Sam hugs him and in doing so steals his luck away. Desperate for revenge, Federico latches onto Tomas (Leonard Sbaraglia), the miraculous sole survivor of an airplane crash. He convinces Tomas to test his luck in various games (one involves running full-speed, blindfolded, through a heavily wooded forest to see if he is "lucky" enough to avoid running into a tree.) By training Tomas to be a winner, Federico hopes to eventually have him challenge Sam. Thrown into the complicated mix are an untouchable bullfighter (Antonio Dechent), and an auto accident survivor (Monica Lopez) who want to break up this obsessive gambling ring. INTACTO uses its stirring orchestral score by Lucio Godoy, its puzzling plotline, its bleak desert settings, and its fast-moving nighttime driving scenes to create a mood of mystery and intrigue. [More]
Starring: Leonardo Sbaraglia, Eusebio Poncela, Antonio Perez Dechent, Max von Sydow
Starring: Leonardo Sbaraglia, Eusebio Poncela, Antonio Perez Dechent, Max von Sydow
Director: Juan Carlos Fresnadillo
Director: Juan Carlos Fresnadillo
Screenwriter: Juan Carlos Fresnadillo
Composer: Lucio Godoy
Studio: Lions Gate Films
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Reviews for Intacto
Fresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense.
Nothing if not hip, but its questions are more coffee-shop hypothetical than genuinely profound.
I admired Intacto more than I liked it, for its ingenious construction and the way it keeps a certain chilly distance between its story and the dangers of popular entertainment.
Its use of the thriller form to examine the labyrinthine ways in which people's lives cross and change, buffeted by events seemingly out of their control, is intriguing, provocative stuff.
It's to be hoped that Fresnadillo, having gotten his boyhood experience out of his system, will marshal his impressive gifts to create stories of considerably less preposterous and insular appeal.
It has Mamet's cool, philosopher's finesse, but none of Borges's fun.
Even if you get lost in the labyrinth of the plot -- which is not just understandable but almost inevitable -- you will almost certainly enjoy yourself trying to make it all make some sort of cosmic sense.
An intellectual exercise, but with not much intellect and too much exercise.
Although Sam's concentration camp backstory flirts with tastelessness, Mr. Fresnadillo charges Intacto with enough well-visualized oddity and surrealism to keep it interesting.
A sharp brainteaser of a film, a compelling mind game you compulsively play along with.
Viewers will need all the luck they can muster just figuring out who's who in this pretentious mess.
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